Summary
Ian Quinn, an organist, composer, and cultural historian, shares insights into his diverse scholarly pursuits and the evolving landscape of sacred music. Having moved to the United States in 1994, Quinn has explored a range of topics from Brexit to the English organ sonata, emphasizing the interconnectedness of music, literature, and politics. His work aims to revive lesser-known organ compositions, with a notable series on English organ sonatas that have been largely overlooked, which he believes are of significant quality and merit.
Quinn discusses the changing dynamics within church music, noting a trend towards less ambition in programming. He encourages his students at Florida State University to embrace a proactive approach to their careers, highlighting the importance of adaptability and innovation in a profession that is increasingly competitive. He reflects on the necessity for organists to not only maintain but also to build programs that resonate with their communities, suggesting that a lack of ambition can lead to stagnation in the field.
As he prepares for the release of his upcoming book on British culture and Brexit, Quinn emphasizes the importance of fostering a love for sacred music among students. He advocates for a tailored educational approach that recognizes the unique aspirations of each student, encouraging them to explore the rich repertoire available to organists. Quinn’s commitment to reviving and promoting lesser-known works reflects his belief in the enduring relevance of sacred music in contemporary society.
Show Notes
Scholar, Iain Quinn, is here to talk about his wide-ranging scholarship and his work shaping the next generation of sacred musicians. He also shares some excellent music from the most overlooked English Sonata composers.
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