Show Notes
In this week’s episode, Mark and Tallulah chat with Marillion’s lead singer Steve Hogarth. They talk about his career before joining the band and what it was like stepping in to replace Fish. After initially not being keen to join - having decided to give up music altogether and become a milkman - H explains what eventually changed his mind. Mark and H look back on recording their first album together, Seasons End, and how the chemistry and creative energy were there right from the start. They also discuss their very different working styles, with the band being far more laid-back than he was used to, as well as their shared passion for keyboards. It’s a funny, honest and upbeat chat, especially after the heavier conversations in previous episodes about the band’s more difficult times. Side note: Tallulah occasionally drops off in the episode due to poor internet connection.
More from Prog & Progeny
Mark and Tallulah finish their deep dive into Seasons End. Mark explains to Tallulah what a hair band is, and why Hooks in You put Marillion a little too close to being one: Rothery’s riff, synth brass with a nod to Jump, and a record label wanting a hit. Also how a critic’s “overworked guff” about The Space became “underworked guff”. Plus a £700 curfew bill in London's Hammersmith Apollo.
Former Piranhas guitarist, novelist and Marillion lyricist John Helmer joins Mark and Tallulah. He talks about Top of the Pops and Tom Hark, signing with Pete Waterman, and how one brief taste of success broke up his band. He explains the thinking behind his Marillion lyrics. John also remembers the night at Stanbridge Studios when he turned up in a suit and a Stetson during the writing of Holidays in Eden and sang a murderous cowboy song to a room of mushroom-fuelled "Mexicans." Links: The Tech Imaginarium Podcast https://learninghackpodcast.com/shows/the-tech-imaginarium/ Tom Hark - The Piranhas https://www.youtube.com/watch?v=VpfcPe_aFwk
We begin our deep dive into Seasons End - Marillion’s first album with Steve Hogarth. Mark and Tallulah explore the first four tracks - The King of Sunset Town, Easter, The Uninvited Guest and Seasons End - from the stories and meanings behind them to how they came together during a huge period of change for the band. Mark recalls finding H, whether there was ever a Plan B if fans rejected him, and why Marillion briefly considered changing their name. Link: Marathon singer Oliver Smith new E.P. https://open.spotify.com/album/68ky2prcbswKAT78xeEu5d?si=f0q775D6ShGoaPUMhHCFAQ&utm_source=copy-link
Mark and Tallulah finish Sounds That Can't Be Made. Why Power's lyric leaves Mark cold, how Mike Hunter pulled a buried vocal melody out of Invisible Ink, the home piano noodle that became The Sky Above the Rain, and whether Montréal deserves the bad press. If you click on this link before listening to the podcast you will probably wonder what that has to do with Marillion: https://www.sciencedaily.com/releases/2026/04/260406192809.htm
We jump forward to 2012's Sounds That Can't Be Made. We discuss the writing and recording of the first half of the album track by track.