Show Notes
U2's 13th studio album, "Songs of Innocence," is an album released a full 5 1/2 years after the commercial and critical disappointment of "No Line on the Horizon" with a list of producers as long as a Beyonce album. To that long gestation period Bono said, "Rumor has it we haven't made a U2 album in the last five years. We have. We've made several. We just didn't release them because we were waiting for something that would be as good as the best we've ever done." But, once the album was released, it wasn't the music that everyone was talking about, but rather how it was released. Which is a shame because, while it may not be the experimental classic of Achtung Baby, it is wildly underrated containing some of the most personal songs of U2's career. The question is, will its virtues ever overshadow the controversy known as Apple-Gate.
More from Into The Heart of U2 Podcast
Easter Lily marks U2's second surprise EP in the first few months of 2026 after almost 9 years without an album of original material. Where its predecessor, Days of Ash, looked outward commenting on the chaotic times of the present day, Easter Lily turns inward with more thoughtful songs emerging from a more personal and private place exploring the themes of friendship, loss, hope, and ultimately renewal. What does it all add up to? Their most unapologetic collection of songs of devotion since October and guess what? U2's best work in over 20 years. We'll also touch on the just released new single "Street of Dreams" from the still untitled new album due later this year.
Let's be honest, we were all resigned there wasn't going to be a new U2 album until late 2026 or even 2027. But lo and behold, on the morning of February 18th, came the news of a new U2 EP called "Days of Ash" - six new songs Bono said that "couldn't wait; these songs were impatient to be out in the world. They are songs of defiance and dismay, of lamentation." We go deep on the two years since the residency at the Sphere ended up to the surprise release of this EP (and a brief mention of the other surprise EP "Easter Lily" which we'll get to next time) as the band continues to work on the full album coming later this year.
For the 20th Anniversary of "How to Dismantle An Atomic Bomb," U2 remastered the original record and released a bevy of remixes as well as the entire Verigo Live from Chicago show from 2005, but the big ticket item was something they called "How to Re-Assemble An Atomic Bomb" - a Shadow Album - of 10 songs that didn't make HTDAAB. The reaction to this Shadow Album has been resoundly positive - even the haters have been quiet about it. But is that because its been so long since U2 has released something that sounds so fresh and exciting? Or is it because these songs are so unadorned and, not so fussy...that it speaks to what's been missing and so frustrating about U2's output the last decade or so? From the critics to long time fans - and even Oasis' Noel Gallagher chimed in - they're all asking the same question: "Why the hell didn't these songs make it onto HTDAAB?" We take a deep dive into all that and even give our picks for the 12 songs that whould make a definitive HTDAAB.
In our final episode (at least until a new U2 record surfaces), we cover everything from the beginning of the lockdown to the present: Bono's voiceover in the Sing 2 movie; U2's underwhelming single "Your Song Saved My Life"; Bono & Edge’s surprise appearance in a Ukraine subway station turned bomb shelter; Bono's book and book tour. Songs of Surrender; the Disney+ documentary: A Sort of Homecoming with David Letterman; U2 changing managers. The Sphere residency, the latest on Larry's illness, all the U2 projects in the pipeline; all the up to the minute news about the new album and tour & the just released 20th Anniversary "How to Dismantle an Atomic Bomb" Deluxe Edition including the Shadow Album "How to Re-Assemble An Atomic Bomb."
In this special bonus episode, we take a very deep dive into every aspect of U2 at the Sphere. From the deal James Dolan and MSG made to get U2, the ticket kerfuffle, the technological advancements the Sphere allowed, the sparse stage design, the setlist, the visual message of the show, and what this all means for U2 and, for that matter, the future of concert tours going forward. We've seen every tour, why not tune in to see where we think U2 landed this time?