Show Notes
Joe Banks, author of Hawkwind: Days of the Undergound, is back in Derry and Toms to enthuse about a film that was, for me, a shock revelation about one of Britain's most misunderstood bands. Not only were Slade a hard rocking act whose reputation as a live act belies their popular image as a slightly goofy glam rock fixture from early 70s Top of the Pops that invade our ears every bloody Xmas... But in 1975 they took a big swing (and commercially a miss), resulting in an incredible film about the seedy underbelly of the music business that turned 50 this year. It spawned a fantastic novelisation too, courtesy of the late John Pidgeon and published by Panther, that ranks up there with the sweatiest, grittiest NEL pulps of the mid-70s. So we talk about that too. JOIN US!
More from Breakfast in the Ruins
Our Halloween run continues as our mate Gemma joins us to revisit her horrifying history with the Point Horror series, courtesy of Caroline B. Cooney’s Freeze Tag. We’re heading back to a world of ominous paperback covers, American teenage envy and playground games with potentially fatal consequences. Along the way, we discuss childhood cruelty, teenage obsession, sympathy for the outsider, questionable behaviour from the beautiful people, and the discovery that supernatural powers are unlikely to improve your love life. Because no excursion into adolescent horror would be complete without adolescent drinking choices, our accompanying ghoulish booze pays tribute to the crap we drank as teenagers. Come for the paperback nostalgia. Stay for the poor decisions.
It's Halloween season again at Breakfast in the Ruins, and we're kicking things off with a journey into the darker, more monstrous corners of Robert E. Howard's imagination! This time, I'm joined by author and friend of the show Andy Darby to discuss Howard's gloriously gruesome sword and sorcery tale The Valley of the Worm, along with another of his rip-roaring adventures, The Gods of Bal-Sagoth. Expect prehistoric horrors, ancient evils, mighty-thewed warriors, a bit of literary archaeology and plenty of enthusiasm for the weird fiction of one of Weird Tales' most celebrated contributors. We also chat about Andy's latest book, Sword Songs: An Anthology of Dark Fantasy – Volume 1, a collection of four bloody tales of dark fantasy, murderous gods, haunted places and grim destinies. You can pick up a copy through AbeBooks UK or ThriftBooks. So sharpen your blades, gird your loins and keep an eye out for anything enormous and wriggling in the undergrowth. Halloween has arrived at Derry and Toms!
It's our 150th episode, and we've now been at this for seven Earth years! So how do we celebrate this milestone? By sitting on the sofa and gassing about one of our earliest reads, a book we read in the 1970s that turned out, on reflection, to be a massive gateway drug in terms of where our interests would head just a couple of years later. We're looking at Enid Blyton's The Magic Faraway Tree... a tale of the Multiverse?
Jim Jupp drops by Derry & Toms to talk about his love of genre fiction, his path into making music as Belbury Poly, and the beginnings of Ghost Box Records, the label he founded with Julian House back in 2004. Books, electronic noises and the business of building strange worlds… all things that we love. The occasion is the release of Sorcery, the ninth Belbury Poly album, out now on Belbury Music, streaming in all the usual places and available on Bandcamp. Drawing on Jim’s early eighties enthusiasms, it brings together electronic music and the science fiction and fantasy that occupied his younger self. It also sports a cover by Arik Roper, with Jim’s design tipping its hat to those old Mayflower Moorcock paperbacks. And the opening track is called Dreamthief. We were hardly going to let that pass. So join us for a chat about the things we read and watch, the sounds that stick with us, and how those enthusiasms can take on a life of their own.
John returns to Derry & Toms as, following a drunken afternoon in Rochdale, we decided to take a look at Thomas M Disch's The Prisoner, the first of three Ace tie-in novels commissioned in 1969. Disch was a New Worlds ace and a perfect fit for Patrick McGoohan’s world of surveillance, sinister bureaucracy, paranoia, slippery identities, and aggressive leisure. So what happens when one of science fiction’s sharpest minds takes a holiday in television’s most oppressive seaside resort? Straighten your blazer, slap on your most unconvincing smile and join us to find out. Be seeing you.