Show Notes
This 1979 instrumental record is considered the beginning of ambient music by many of its listeners. We unpack Eno's intentions behind the function of such music, while considering his goal of provoking his listeners to contemplate their own death. We also do our best to define Ambient Music for ourselves and resist the pull of academic dissection of artistic experimentation. Interested in the media we discussed this episode? Please support the show by purchasing it through our affiliate store: Ambient 1: Music For Airports Sources: https://reverbmachine.com/blog/deconstructing-brian-eno-music-for-airports/
https://www.3ammagazine.com/litarchives/oct2001/interview_judy_nylon.html
https://inmotionmagazine.com/eno1.html
https://www.loudersound.com/features/mad-as-tits-but-successful-a-brief-history-of-eg-records
http://music.hyperreal.org/artists/brian_eno/interviews/unk-78b.html
http://music.hyperreal.org/artists/brian_eno/MFA-txt.html
https://pitchfork.com/features/podcast/brian-eno-music-for-airports-review/
http://music.hyperreal.org/artists/brian_eno/interviews/musn79.html
Lysaker, J. T. (2018). Brian Eno's Ambient 1: Music for airports. Oxford University Press. https://doi.org/10.1093/oso/9780190497293.001.0001
Cox C., Warner D., . (2004). Audio culture. New York: Continuum.
Albiez, S., & Pattie, D. (Eds.). (2016). Brian Eno: Oblique Music. Bloomsbury Academic.
Sheppard, David. On Some Faraway Beach : The Life and Times of Brian Eno, Chicago Review Press, Incorporated, 2009.
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