Show Notes
Novelist Jem Calder reads from I Want You to Be Happy in this passage episode of Character Study, a scene about a hundred pages in, as his two characters go on early dates and feel each other out across a pub table by the river.
Jem and Freya talk about writing romance that feels real without being neat, the transactional and inexplicable pulls that draw two mismatched people together, and why a "situationship" can carry the weight of a love story even when you know it won't last. They get into the small, specific power of complimenting a stranger who's dressed a little braver than usual, and then into the harder subject underneath the whole book: attention. Jem and Freya make the case for stepping back from social media to protect your writing: the compounding minutes, the shrinking attention span, the excuse that posting is somehow part of the work.
📚 Further reading mentioned in this episode: – Liadan Ní Chuinn, Every One Still Here (short story collection) – Zadie Smith on living without a phone
🎥 WATCH the full episode here 📘 Buy Jem Calder's I Want You to Be Happy and Reward System, plus Freya's novel: A Real Piece of Work 💛 Follow @freybromley on Instagram for updates and to ask your questions 📚 Join Freya's newsletter at freyabromley.substack.com for behind the scenes thoughts 🎙️ And hit subscribe wherever you get your podcasts
00:00:00 Introduction — and last night's karaoke reading 00:00:56 Jem reads from I Want You to Be Happy 00:02:12 The power of complimenting a stranger 00:02:53 Writing an unironic love story 00:05:02 Being reverent about the relationships that don't last 00:06:33 The intimacy of two people who really listen 00:08:19 Sharing your writing with a partner 00:09:50 Sensitivity as a superpower 00:11:28 Why he gave himself a pass to write about writers 00:12:43 Bring back emailing someone a poem 00:13:34 The decision to quit social media 00:15:14 "You'll get your attention back" — advice for writers 00:16:20 Liadan Ní Chuinn and the myth that you need a platform 00:18:54 Zadie Smith on living without a phone Hosted on Acast. See acast.com/privacy for more information.
More from Character Study
Novelist Jem Calder joins Freya to talk about I Want You to Be Happy, his debut novel about two people trying to fall in love while everything around them is engineered to distract them. Jem’s writing career started with Sally Rooney emailing him about the first story he’d ever finished and now his debut is on the tote bag of every literary it girl this summer. He tells Freya why he’d rather write a novel than a memoir (he’s a self-described cagey person who doesn’t like giving too much of himself away) and why he thinks of fiction as a gift, something a reader can reach for in their worst moments. They chat about how quickly a good line about phones curdles into cliché, why he keeps thousands of words of notes he’ll almost never use and why writing within the constraints of a genre is a form of respect for the writers who came before. A funny, honest conversation between two writers about connection, cringe and what fiction is for.
Poet Will Harris reads Speakee Stonehenge, an exclusive sneak peek into the collection of poems he is currently working on, Speakee.
Poet Will Harris joins Freya to talk about writing a whole collection around a brother he never had. Will, who won the Forward Prize for Best First Collection, tells Freya where that idea came from: a hunch that people with siblings remember their childhoods better. They chat about why the most exciting phase of a writer's life is the one before you’ve published anything, how the copious notes he kept travelling across America by bus ended up weighing his writing down as much as helping it and why poets are always arguing that the ‘I’ on the page isn’t them. They also get into the novel about feeding the ducks he abandoned, the white jumper he dreamt about that became an elegy for his grandmother and why a poem doesn’t need to be solved.
Screenwriter, artist and Murky Book Prize-winning novelist Sufiyaan Salam reads the opening chapters of Wimmy Road Boyz: three young men in a BMW, cruising towards Manchester's Curry Mile at the start of a night that none of them yet know might be their last together.
Screenwriter and novelist Sufiyaan Salam won the #Merky Books New Writers' Prize for his debut Wimmy Road Boyz. He joins Freya to talk about his novel that follows three young British-Pakistani men across one chaotic night on Manchester's Curry Mile. Sufiyaan, who’s also a BAFTA-nominated screenwriter and animator, tells Freya where the book came from: a real night out where he wanted to tell his friends what he was going through but couldn’t, and wondered if they were holding something back too. They chat about why the novel is built to feel like a rap album rather than a novel, how screenwriting taught him to chase specificity and what it was like to take his dad to the BAFTAs. They also get into whether film audiences really are ruder than book audiences and why saying the dumb idea out loud is worth it if one in ten turns out to be brilliant.