Show Notes
Norrin M. Ripsman (Ph.D., University of Pennsylvania, 1997) is the Monroe J. Rathbone Distinguished Professor of International Relations at Lehigh University. His primary research interests include crisis prevention; democracy and national security; postwar peacemaking; the construction of regional stability; the political economy of national security; neoclassical realism; crises and pre-crises; and the impact of globalization on national security.
Norrin M. Ripsman writes in two genres: academic and literary fiction. He has published a short-story collection, Song Book, and a novel, The Oracle of Spring Garden Road. His latest novel is Bullet Holes (2026).
Bullet Holes (Next Chapter, 2026) is a novel that deals with school shootings. It is a novel that reminds us that for decades, Americans have been struggling with the urgent need to address the scourge of school shootings while protecting constitutionally enshrined freedoms. Too often, the conversation is more of an echo chamber, where people talk past each other without really listening or understanding each other's legitimate points of view.
More from New Books in Literature
Few things delight a historical novelist more than true stories of forgotten individuals remembered, if they are remembered at all, for one dramatic moment or act. Flora Cordier—a Belgian glove maker who apparently married the last effective Ottoman sultan, Abdulhamid II (1876–1909), before his accession to the throne—is just such a person. Flora left almost no impression in the historical record, not much more than a newspaper account and a few references to her outside the empire in later life, yet the question of how a European craftswoman might not only have set up shop in nineteenth-century Istanbul but have also crossed the path of a prince from the House of Osman begs to be told.
Chekhov liked to joke that he was a doctor by profession and merely did literary work in his spare time. Behind the joke lies an intriguing truth. We remember Chekhov as a towering literary figure, but medicine and humanitarian work occupied much of his life and profoundly shaped the way he encountered human suffering.
Describing the plot of a Tom McCarthy novel requires some caveats about the scale and the projection of the thing. One might begin with a description of a man who after suffering a head injury decides to recreate and reenact a day in his life again and again ad absurdum to the point of violence, but this would be insufficient as a depiction of the novel Remainder’s electrical currents of feeling and its intellectual conduits that flip switches on and off in literary theory and philosophy. Likewise, a gloss of Satin Island might rest on the project of its narrator, a corporate archeologist preparing an all-encompassing ethnography of our human era. But such a distillation misses the humor, intrigue, and dreamwork that make the novel an island unto itself. And these baffling plots give way to novels that as the AV club has written, “are more entertaining than [they] have any right to be”.
When Saul Keng Hsiu and his wife, Mei Lee, move from China to the United States to take possession of a 160-acre homestead bequeathed to them by a distant relative, all they have are the possessions on their back, some hidden gold, and a pocketful of chrysanthemum seeds. After a rocky start and a long, harsh winter, the couple find themselves successfully raising chrysanthemums and livestock, and soon after, a daughter, Mara.
Sharma and Sushila were ahead of their time in marrying for love and across castes in early 1950s India. When their oldest daughter is nine, they leave their home and family for Sharma to take an academic position in astrophysics in America. Sushila takes care of their home, raises their girls, manages to complete a doctorate, and becomes a feminist philosopher. The three daughters grow into young women, each navigating school and community during the upheaval of the 1960s. While coming to terms with their parents’ flaws and building relationships and lives, they learn to count on each other through marriage and divorce, children and careers. Sutra Americana (U Wisconsin Press, 2026) is a sweeping and beautiful immigrant saga about identity, memory, forgiveness, and love.