Show Notes
If you are at all familiar with the French revolution you may have come across the painting by Jacques Louis David called ‘The Death of Marat', one of the most famous works of art concerning a revolutionary event. The painting itself depicts the moment of Marat’s assasination; he lies in his bath, holding in his hand a letter, his chest pierced, bleeding, stabbed by Charlotte Corday just moments earlier. It is a gorgeous painting, but also a piece of revolutionary propaganda and a true story, and it speaks volumes both in what is shown and what is absent. In this episode find out more about Marat, Why Charlotte stabbed him and what happened to his bathtub. So come with me and let’s start by going to the Louvre to see what we can learn from this painting. (Part 1 of 2)
Music and mixing from the talented Christopher find more of his great work here. Follow me on instagram or go to my website for sources and pictures. Support the show on Patreon Artwork Double Merrick
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More from Paname: The Secret History of Paris
For more than two centuries, a rumour has clung to this monument that inside the body of Henri IV, sealed in the hollow of the bronze, there’s something that doesn’t belong to him at all. A secret hidden during the Restoration, a political joke, or maybe an act of quiet revenge, find out once and for all in this episode..
Today, we’re heading to a monument that is both extremely vertical and surprisingly controversial. A monument that has been built up, knocked down, rebuilt. - the Vendôme Column.
Last time, we explored Veronese’s dazzling Wedding Feast at Cana a Venetian marvel painted for a monastery refectory and admired there for over two hundred years. Today, we follow the painting into a very different world: war, politics, plunder, restoration disasters, and an ongoing question of art crimes and restoration. Once again my main source for today is the excellent book Napoleons plunder by Cynthia Saltzman
If you thought the recent theft of the Napoleonic jewels from the Louvre was audacious then just wait for what I have in store for you today because it is one of the biggest, and I mean that literally, the biggest, art thefts in the Louvre’s history. Today we are looking at Veronese’s Wedding Feast at Cana, a dazzling masterpiece that once filled an entire wall of the monastery of San Giorgio Maggiore in Venice, and was proudly displayed there for more than two centuries, from its completion in 1563 until 1797 when French troops unceremoniously tore it from the wall, rolled it up and shipped it to Paris.
Stretched at full length, on the great divan of a studio, cigar in mouth, two friends—a poet and a painter—were talking together one evening after dinner... what follows are a series of short stories which might make you think twice about marriage. My favourite is 'Fragment of a woman's letter found in the rue Notre-Dame-des-Champs'