Show Notes
Season 4 opens with a historical dig into the culture of home recording, beginning with Les Paul's initial invention of the overdub and then down the winding path of loner practitioners who seized his technology to exorcise their demons. Les Paul couldn't get electronic companies to listen to his ideas on multi-tracking for a couple decades so out of pure frustration, he assembled the ability to overdub in his garage using his father's old car parts and two lathe-cutting machines. After scoring 7 number one hits from his garage using the power of the overdub, he innovated a new way to add extra heads to mono-recorders and forced the Ampex Tape Machine company to accept that a new era had arrived. This changed music production forever and eventually put the power of recording entire records and exploring one's own imagination into the hands of the lone individual. The focus and frustration that pushes someone towards invention parallels the same dynamic we experience when pushed to a breakthrough during spiritual struggle, which this season's odd-numbered story episodes will discuss. The advent of home recording opened up new channels and possibilities in private expression while inadvertently creating an 'underground' in-itself. This episode explores the beauty of this new free, independent world with R. Stevie Moore as its core underdog hero, someone who exemplifies the ceaseless searching and private alchemy of the home recorder. Learn more about your ad choices. Visit megaphone.fm/adchoices
More from Emil Amos' Drifter's Sympathy
The British prog greats "T2" are a legendary footnote in the record collecting world... a tragedy-tinged, kind of 'what-if' band that still commands a small cult of fans. But lesser known are the various offshoots of their leader, Peter Dunton. This is a very special man with an odd, gnome-ish voice who created a uniquely holy atmosphere in his work. And while he's technically a "footnote" entity for most diggers, he remains an island of greatness with his own blueprint that seems to stand calmly within the storm of the 60's alone.
In a throwback to the very first Drifters season's atmosphere, this episode travels back to HIGHSCHOOL to unravel our subcultural origin story and sift through the clues of what made us the way we are. While recently on a sabbatical in Chicago to make the new Holy Sons record, Emil met up with his best friend from 1993, Jacob Ciocci, who's now become a professor of Computer Art and who'd initially drawn all of Emil's first solo show flyers back when they were kids.
This episode of Loner Legends is one of the most important casts in this series because we get to bring a true punk god back from the dead, honor his complexities and raise him up to his rightful place in history. Adrian Borland sat side by side with Robert Smith in the mission to refine and define the landscape of post-punk... but one boy ended up changing the world and the other was locked away in a madhouse.
The third installment of the MOVING TO PORTLAND Trilogy bares the accidental creation of the band GRAILS, their first show and first recording... but the task of it brings some seedy characters into the mix. Emil begins recording a record called "I Want to Live a Peaceful Life" with his new friend Pat and things wobble forward into a very emotionally opaque horizon.
Drifter's Sympathy returns with the first episode of SEASON SEVEN called 'Lords of Selfish Music'!