
Show Notes
In 1984, industrial music legends Cabaret Voltaire released Sensoria on the Some Bizarre record label, the first single from their sixth album, Micro-Phonies. The song mixed driving beats and multicultural rhythms over a winding soundtrack and a hypnotic vocal. The Cabs, as they were known, never sought fame in the traditional sense; instead, they just thought it was important for you to listen. For them how things were presented was just as important - believing it was about your takeaway from the experience, as a whole, that mattered most. Peter Care, a pioneering filmmaker from southwest England, had been making films for the band since the 70s, yet the music video he made for Sensoria was one of the most requested videos on the MTV video charts for seven months and was subsequently procured by the Museum of Modern Art in New York. It was also voted the Best Video of the Year in 1985 by the LA Times and is considered the greatest “underground” music video of all time. In this special episode of Destroy!" called Scene x Scene, we talk to film director, Peter Care, the "up and over" camera rig designer, Tony Hill, and Cabaret Voltaire cofounder Stephen Mallinder, about how the video was made. - #sexpistols #anarchy #1976 #destroy #destroypunkpodcast #punk #cabaretvoltaire - Follow us on Instagram @destroypunkpodcast for the latest updates. Or visit us online: https://destroypunkpodcast.com for transcripts, show notes, and more. Hosted on Acast. See acast.com/privacy for more information.
More from Destroy! The Influence of Punk.
[Audio Update: We recently detected a brief audio glitch which we fixed on August 22, 2026. If you still hear the glitch or still have any audio issues with this episode, we suggest you delete the episode from your app and play or download it again. Alternatively, listen on another platform or logon through your account in a web browser. Thank you for listening.] — Punk became a visual system built for reproduction and circulation. This episode explores how its graphic language evolved into a shared tool for dissent. Record sleeves, posters, fanzines, typography, collage, and appropriated imagery created a visual vocabulary that could be copied, altered, and circulated far beyond its original context, and authorship became less important than transmission.
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