
Show Notes
Artists' Artists is a podcast where contemporary artists shed light on works of art from the national collection that inspire, move or intrigue them.
Janet Laurence is an Australian artist who was born in 1947 and lives in Warrang/Sydney. Laurence has nine works in the national collection and in 2020–21, her installation Requiem 2020 was included in the National Gallery exhibition Know My Name: Australian Women Artists 1900 to Now: Part One. In this episode of Artists' Artists, host Jennifer Higgie chats with Laurence about four works from the national collection that reflect, in very different ways, the relationship between art and the natural world. To find out more visit www.nga.gov.au
Artworks Discussed: Eva Hesse, Contingent 1969, National Gallery of Australia, Kamberri/Canberra, purchased 1973 © The Estate of Eva Hesse, Courtesy Hauser & Wirth Robert Smithson, Rocks and mirror square II 1971, National Gallery of Australia, Kamberri/Canberra, purchased 1977 © Robert Smithson. VAGA/Copyright Agency Rosalie Gascoigne, Feathered fence 1979, National Gallery of Australia, Kamberri/Canberra, gift of the artist 1994 © Rosalie Gascoigne/Copyright Agency Nyapanyapa Yunupingu, Gumatj people, White painting #2 2010, National Gallery of Australia, Kamberri/Canberra, purchased 2010 © Courtesy of the artist's estate and Roslyn Oxley9 Gallery, Sydney Hosted on Acast. See acast.com/privacy for more information.
More from NGA Art Talks
NGA Art Talks: The Gleeson Tapes is a new series revisiting key conversations from the James Gleeson Oral History Collection.
NGA Art Talks: The Gleeson Tapes is a new podcast series revisiting key conversations from the James Gleeson Oral History Collection.
In the late 1970s, before the National Gallery of Australia opened its doors, the surrealist artist and writer James Gleeson set out across Australia with a microphone and a mission: to build an oral history archive that captured the stories behind key works of art in the national collection, told by the artists themselves.
In the late 1970s, before the National Gallery of Australia opened its doors, the surrealist artist and writer James Gleeson set out across Australia with a microphone and a mission: to build an oral history archive that captured the stories behind key works of art in the national collection, told by the artists themselves.
Join Quincy Houghton, Deputy Director for Exhibitions and International Initiatives at The Metropolitan Museum of Art, as we revisit this year’s Betty Churcher AO Memorial Oration, recorded live at the National Gallery for International Women’s Day in March 2026.