
Show Notes
Today, we're sharing the first episode of a new limited-run series from NPR's Embedded, "Alternate Realities". Zach Mack and his dad are living in separate realities, and it's tearing their family apart. Like so many Americans, Zach's dad has gotten swept up in conspiracy theories. After years of circular arguments, the father challenged his son to a bet: $10,000 on ten politically apocalyptic predictions that would all happen in 2024. In this three-part series, we follow Zach on an intimate journey to bring his father back from the rabbit hole. "This is more than just a story about whose reality is 'correct'," said Zach Mack. "As I documented my father's beliefs throughout the past year, I was also trying to understand how the conspiracy theories he found took hold. The bet offered a way to settle our endless debates, which I know so many other families are having, and arrive at a place of truth and understanding." "Alternate Realities" intimately explores how the intermingling of misinformation and Zach's father's religious beliefs tests the bonds of his family, and offers a first-person perspective into an issue plaguing close relationships across the nation. How do you reach a loved one who is lost inside his own conspiracy mentality? And what do you do if your best efforts to bring them back end up failing? Embedded is available wherever you get your podcasts.
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More from Radiotopia Presents: We're Doing the Wiz
To celebrate the anniversary of Red for Revolution’s Radiotopia debut, we’re dropping a special bonus episode. Join members of the cast and creative team as they revisit the story's earliest seeds, its unexpected turns, and the beautiful collaboration. You’ll also hear exclusive, unreleased audio scenes from the cutting‑room floor. Part reflection, part celebration, and part revelation, this episode invites listeners into the room where the revolution truly began. Red for Revolution is created, written, and directed by Jana Naomi Smith with Musical Direction by Tammy L. Hall and Sound Design by Collin Gerald Thomas. Original Music by Tammy L. Hall and Jana Naomi Smith and performed by Renée Wilson, Loretta Devine, and Jordan Hull featuring the Red for Revolution band, Tammy L. Hall on piano, Kofy Brown on electric Bass, Ruth Davies on acoustic Bass, Ruthie Price on drums, Kristen Strom on saxophone and flute, and Vicki Randle on percussion. Cover art by Shefon N. Taylor. The series is executive produced by Renée Wilson, Jana Naomi Smith, and Meta Mana Media with associate producers Jordan Hull, Adrian Snegg, and Vanessa E. Williams. All episodes produced by Liz McBee. The Red for Revolution team would like to thank each person who helped bring this project to life. Please visit redforrevolution.com for the complete credit and gratitude list. For additional resources and to sign up for our newsletter, visit redforrevolution.com. This audio drama was recorded under the SAG-AFTRA 2020 New Media Principal Performer Contract. This episode includes interviews with Jana Naomi Smith Jordan Hull Tammy L. Hall Liz McBee Renée Wilson Alimi Ballard And features performances by: adrienne maree brown as series sonic guide Ashley J. Hobbs as additional narrations Renée Wilson as Lorraine Giovanni (1970s) Rutina Wesley as Ella Ali (1970s) Alimi Ballard as LeRoy (1970s) Will Kachi (Volunteer 1970s) Music Featured: “Revolution” Written by Jana Naomi Smith Original Composition by Tammy L. Hall Performed by Renée Wilson and the Red For Revolution Band Tammy Hall, pianist & music director Kofy Brown, electric Bassist Ruth Davies, acoustic Bassist Ruthie Price, drummer Vicki Randle, percussionist Kristen Strom, saxophonist/flautist For Radiotopia Presents, Yooree Losordo is the Managing Producer. Audrey Mardavich is the Executive Producer. Red for Revolution is part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices.
Welcome to September. Public media has had a rough summer. On July 18th, Congress passed the Rescissions Act of 2025, which eliminated $1.1 billion in funding for the Corporation for Public Broadcasting. Then on August 1st, CPB announced they would be winding down operations.
Welcome to September. Public media has had a rough summer. On July 18th, Congress passed the Rescissions Act of 2025, which eliminated $1.1 billion in funding for the Corporation for Public Broadcasting. Then on August 1st, CPB announced they would be winding down operations.
Welcome to September. Public media has had a rough summer. On July 18th, Congress passed the Rescissions Act of 2025, which eliminated $1.1 billion in funding for the Corporation for Public Broadcasting. Then on August 1st, CPB announced they would be winding down operations.
Welcome to September. Public media has had a rough summer. On July 18th, Congress passed the Rescissions Act of 2025, which eliminated $1.1 billion in funding for the Corporation for Public Broadcasting. Then on August 1st, CPB announced they would be winding down operations.