A Spirited Conversation about Rowling-Galbraith's Cormoran Strike Series and C. S. Lewis' 'Till We Have Faces'

This is the third of three posts about the Lost Mother Golden Thread in the work of J. K. Rowling. The first, Anne Rowling and the Lost Mother Golden Thread in the Works of J. K. Rowling, reviewed Rowling-Galbraith’s regrets at the death of her mother Anne in December 1990 with a listing with brief discussion of the many Lost Mothers in her twenty-three published books. In the second, The Lost Mother Golden Thread and a Key Reason We are Moved by J. K. Rowling’s Stories, John joined the Lost Mother meme to the Ghosts and Mother’s Love Golden Threads to get at the metaphysical ground and beating heart of Rowling’s work. In the video podcast above, Nick and John discuss reader feedback to the Hidden Hold of Horrors Golden Thread conversation, John’s two Lost Mother posts, the implications of his findings for the Strike series’ last two novels, and the work being done on interactive Hogwarts Professor talks and online classes. Please share all the Lost Mother characters, mother and child, in Rowling stories that they missed in the comment boxes below, as well as your thoughts about John’s idea that the “Defining Idea and Power of Rowling’s Work is in the Intersection of the Lost Mother, Ghosts, and Mother’s Love Golden Threads Running Through Everything She Writes.” Before we forget, here are the three things Nick and John promised would be posted ‘Down Below’ in the conversation above: * A Key to Maternal Love in Harry Potter? Mum Crouch’s Sacrifice in Harry Potter and the Goblet of Fire: The meaning in the middle of the Harry Potter series, the murder of Barty Crouch by Junior, a son saved by his mother’s love, incorporates the key symbolism of Rowling’s work with respect to sin and death as well as virtue, love, and the victory over death in one family. Conversation with Wayne Stauffer, Beatrice Groves, and Louise Freeman with implications for the understanding of the Hogwarts Saga, Cormoran Strike, and The Christmas Pig. * Death of Eric Wardle’s Mum is first mentioned in Hallmarked Man, Chapter 70: Wardle drank more lager before answering. ‘I dunno,’ he said. ‘My mum’s just died.’ ‘S**t,’ said Strike, who’d had no idea of this. ‘I’m sorry.’ ‘Yeah. Last month. She was never right, after my brother,’ said Wardle. ‘Broke her heart.’ His words were coming as though each adhered to his throat, and needed to be pulled up, with effort. ‘She chose not to go for a second round of chemo… raised us both as a single mum. We were her life. Terry dying half-killed her, and then April left me, and she didn’t see nearly as much of Liam any more.’ ‘Liam?’ ‘My son,’ said Wardle, with a faint smile. ‘The kid you just saw me put to bed.’ ‘Oh, yeah, of course.’ ‘Anyway… Mum left a lot more money than I expected. She came into an inheritance herself, right before she died… never got to enjoy it. Before she went, I kept telling myself I’d be mad not to hang on at work for the pension, but with what she left, I could still see Liam right.’ * Percival Proudfoot "Plug" Plugsley, Cartoon Character: Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

This video podcast is the third in a series of three posts about the Hidden Hold of Horrors Golden Thread in the work of author Rowling-Galbraith. A Golden Thread is a plot point, scene, or character type that recurs repeatedly through an author’s stories, a commonality that is evident only when looking at the writer’s writings viewed as a whole. The ‘Hidden Hold of Horrors’ repeated scene is of a location underground, be it a cave, a cellar, a tunnel, a tomb, or a basement pool, in which a frightening confrontation, a Near Death Experience, flat out murder, or transformative revelation occurs. The first post in this series was Nick Jeffery’s exploration and explanation of Rowling’s Church Cottage childhood home in Tutshill and its remarkable cellar beneath a covered access port, what has been mistakenly referred to as a “trapdoor.” In The Hidden Cellar Beneath J. K. Rowling’s Childhood Home, Nick shares why a building in West England on the border with Wales from the mid 19th Century that was built as a Church of England school would have a substantial brick and cement vaulted basement and what this room, originally a cistern to prevent cholera outbreaks, was probably like during Rowling’s childhood. [Golden Thread Image: Wovex.com; Ladder to Cellar Under Access Port: Pinterest] The second post was one I sent out yesterday in which I shared Nick’s and my off-the-top-of-our-heads catalog of everything subterranean, frightening, and damp in Rowling’s oeuvre, that is, her seven Harry Potter novels, eight Cormoran Strike mysteries, the Cursed Child ‘collaborative’ play script, her Beedle the Bard fairy tale collection and Ickabog “political fairy tale,” the three Fantastic Beasts screenplays, her border-line autobiographical Casual Vacancy, and the Dante-meets-Dickens Christmas Pig classic. Rowling Golden Thread: The Hidden ‘Hold of Horrors Downstairs, Beneath the Trap Door Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

Nick Jeffery and John Granger met on Wednesday this week to talk about John’s epic ‘Index to the First Year of Reading Hallmarked Man’ that was posted a week ago. Both were delighted (and a little surprised?) by the range and depths of the work done here and elsewhere to unpack the eighth Strellacott mystery, easily the most carefully planned and unique of the Strike series. Below are the ten questions Nick and John asked one another, brief versions of their answers, and links to points they made for listeners wanting to read more about the subjects and previous work mentioned. The conversation ended with a big THANK YOU to the Hogwarts Professor subscribers and the announcement of an announcement (!) coming next week of Real Time conversation with those supporters. Enjoy this conversation and the links below to highlights from the previous year - and stand by for some exciting news about the coming year’s work at Hogwarts Professor! Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

Nick and John get together to discuss three HogwartsProfessor posts about the All New Hogwarts House Emblems and Rowling’s commentary via three emojis about the recent trailer for the Bronte Studios adaptation of Harry Potter and the Philosopher’s Stone. You can read those posts via these links: The HBO+ Potter Trailer: The Meaning of Rowling’s Heart, Owl, and Lightning Bolt HBO’s Harry Potter and the Alchemical Symbols The New Hogwarts House Emblems and Their Alchemical and Plant Symbolism Or you can just jump right into the conversation via the questions, notes and links below! Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

Nick Jeffery and freshly Shorn & Clean Shaven John Granger sit down to discuss John’s two posts about the symbolism of the Letter ‘G’ in Strike 8. Part One of the series did the necessary work of demonstrating that, yes, the letter ‘G’ is all over Hallmarked Man, from the online guess that the murderer carved that initial into ‘William Wright’s back to the Witness G echoing with Green-jacked Gorilla-bearing man and a bit of calligraphic terrorism on the Agency door at street-level. The first also covered the accepted Masonic interpretations of why the ‘G’ is featured in the Compass and Square symbolism of their fraternity. Part Two was a deep dive into more esoteric meanings given to the ‘G’ by Freemasons and by Rene Guenon, notable Perennialist, and into what associations Rowling-Galbraith tried to make between the seventh letter and the key hallmark of the book. It concluded with three answers to “So What?” including some fun speculation about a possible shape for the series, a shape highlighted in Strike 8, and with a discussion of whether Rowling-Galbraith’s subliminal artistry with ‘G’ worked or failed. Perhaps the biggest take-away of this series of posts was to introduce subliminal coloration as the common denominator of Rowling-Galbraith’s signature seven Shed tools. Nick and John open their conversation about the letter ‘G’ with that subject and everything they discuss in the end folds back into that covert artistry. As always, the Dynamic Duo covet your comments and feedback as the best follow-up to their conversation. Please jump right in! Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.