Show Notes
With every one of their four singles reaching the ARIA top 10, dance duo Madison Avenue had a perfect chart strike rate. Formed by DJ/producer Andy Van and singer Cheyne Coates, the pair crossed over from the clubs to the top 50 in 1999 with "Don't Call Me Baby" — a song Cheyne was never meant to sing. Andy tells us about how that track came together — from the sample he based the song around, the Mousse T tune that served as inspiration and how Cheyne's hastily recorded guide vocal ended up ...
More from A Journey Through Aussie Pop
It wasn't a given that Deni Hines would pursue a career a music. Despite her mother, Marcia Hines, being one of the most recognisable pop stars in Australia, Deni had other interests and suffered from performance anxiety in her younger years. But her vocal talent soon got her snapped up as a backing singer for artists like Wa Wa Nee, Peter Blakeley and Kylie Minogue. It was her voice that also saw her hired as the latest frontperson for funk/dance band Rockmelons. In a frank and unflinching i...
Born to parents who both worked in the entertainment industry, Dannielle Gaha grew up surrounded by singing and dancing, training and helping out at the talent school run by her mother, Janice Breen. She made her first steps into the industry herself by appearing on TV talent contest Star Search, which led to ongoing singing work with judge Glenn Shorrock and, through that, her big break — being picked to record duet "Communication" with John Farnham. Dannielle, who now goes by her married na...
It was inevitable that singer, songwriter and multi-instrumentalist Rick Price would forge a career in the music industry, but rather than jumping at any offer of a record deal that came his way, he took his time to ensure the situation was just right. Before signing to Sony Music and releasing debut album Heaven Knows in 1992, he worked for many years as a session singer, appearing in a national ad for Australia's Bicentennial in 1988 and on charity single "You're Not Alone" by Australian Ol...
In 1983, synthpop bands were big business on the Australian music scene, with Kids In The Kitchen snapped up by Mushroom Records imprint White Label Records. The band's singer, Scott Carne, and drummer, Bruce Curnow, discuss how weekend jam sessions quickly led to gigs and that record company interest. Hits followed, with "Change In Mood" and "Bitter Desire" both reaching the top 20, but a dispute over the music video for the latter led to two original members being asked to leave. With repla...
Despite a background on Melbourne's dance music scene and no intentions of being a pop star, Katie Underwood did just that, becoming one of the most recognisable members of Bardot and given prominent lead vocals on all three singles from the self-titled debut album, "Poison", "I Should've Never Let You Go" and "These Days". In an extensive interview about her music career, Katie explains her motivations for being part of the Popstars girl group and what brought about her decision to leave Bar...