Show Notes
(Moonlight in Naples – Ivan Aivazovsky) 乍暖还寒的二月末，“龙抬头”的前一夜，《此处有龙》关于遗忘和铭记的第3期节目和大家见面了。 本集中，我们将探讨意大利赫尔墨斯诗派（亦译“隐逸派”）的关键人物萨尔瓦多· 夸西莫多（Salvatore Quasimodo）的一首迷人的短诗。夸西莫多出生于西西里，26 岁移居米兰，这标志着他所经历的文化发生了重大转变。西西里和米兰之间差异深远：从周遭的风景到语词的声音、空气的气味以及食物的香味——这些都能够唤起根藏在意大利人最深处的记忆，就像普鲁斯特的玛德琳小蛋糕一样。 他的诗歌《此刻，白日升起》（Ora che sale il giorno）捕捉到了从象征孤独和自省的夜晚到白昼的微妙过渡。白昼的标志是逐渐暗淡的月亮和达达的马蹄声。月亮在不同的天空中自身却永恒不变，这寄托了夸西莫多的孤独和乡愁，夸西莫多渴望在米兰这个异域世界中找到自己的故乡。 他选择远离他人的陪伴，认为缅怀和乡愁是无法分享的个人情感。这段经历的焦点仍在于月亮本身--米兰天空中那轮皎美的明月，让人想起西西里天空中的月亮。然而，他意识到这只是一种幻觉——无比脆弱的回忆，只持续了一刹那，很容易就被突如其来的声音打破，敲碎了精神归家的希望。 你见过的最美的月色是在哪里？当时你是否独自一人？欢迎和主播们分享你和月亮的故事，也让我们在意大利语旖旎的音节中一起迎接春天。 (Moon phases by Galileo Galilei, ca. 1609, arguably the first realistic depiction of the Moon in history) In this episode, we explore a poem by Salvatore Quasimodo, a key figure in Hermeticism. Born in Sicily, Quasimodo’s move to Milan at twenty-six marked a significant cultural shift. The differences between Sicily and Milan are profound: from the landscape to the sound of the words, the scents in the air, and the flavors of the food, which for Italians evoke deep memories, much like Proust’s madeleines. His poem "Ora che sale il giorno" captures the transition from night, symbolizing solitude and introspection, to day, marked by the fading moon and the rhythmic sound of horses’ hooves. The moon, constant in different skies, anchors Quasimodo’s feelings of loneliness and nostalgia, reminding him of his homeland. Quasimodo yearned to find his homeland within the alien world of Milan. He chose to withdraw from the company of others, believing that remembrance and nostalgia are individual emotions that cannot be shared. The focal point of this experience remains the moon itself— the same beautiful moon in the sky of Milan, reminiscent of the moon in the sky of Sicily. Yet he realizes it is merely an illusion—a fragile moment of remembrance that lasts only an instant, easily shattered by an unexpected sound, dispersing the hope of returning home. (Man and Woman Contemplating the Moon – Caspar David Friedrich) (Moonlight, a Study at Millbank – Joseph Mallord William Turner) @本期主播： 包慧怡、桑阳 @制作人： 张泽熙 本期节目诗歌：
(Lindisfarne Castle and Abbey, Holy Island, by Moonlight – John Moore of Ipswich) 本期节目术语卡片（桑阳撰）： (Leonardo da Vinci’s notebook, Arundel MS 263, f. 104r, c. 1506-08) (The Starry Night, Vincent van Gogh, 1889) ☀️上海的阳光终于降临，在日月划替中迎接春天！
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More from Here Be Dragons｜此处有龙
浦东美术馆的莫兰迪大展即将结束，10月16日，此处有龙的两位主播将在美术馆现场进行一场融合诗歌、绘画赏析、现场音乐的跨媒介演出，名为《莫兰迪：观看的苦修》。 莫兰迪花了四十年画同样的几件物品。物品没有改变。改变的是他注视它们的目光和时长。从卢克莱修、贝托鲁奇、翁加雷蒂、蒙塔莱、帕索利尼等一系列与莫兰迪相关的诗人和电影导演，到西蒙娜·薇依、罗贝托·隆吉等哲学家和艺术评论家，再到包老师本人的诗歌作品，我们将在一个夜晚的时间里，引导观众做一件莫兰迪穷尽一生所做之事的微小版本——与关注的对象厮磨足够长的时间，直到差异在其内部显现。 本期播客是对10月16日现场演出的预热。我们将开始于包慧怡老师、桑阳老师以拉丁文合唱《物性论》第二卷，终于对阿蒂利奥·贝托鲁奇（意大利著名导演贝纳尔多·贝托鲁奇和朱赛佩·贝托鲁奇的父亲）诗歌《在家中》的解读，对莫兰迪及其绘画哲学的讨论则贯彻始终。 欢迎加入这个由画作、朗读、对话、音乐、静默构成的夜晚！ （报名方式见以下海报/浦东美术馆公号）
🌕 各位龙友，中秋快乐！ 本集中，我们接着上一期《今天我们如何谈论幸福》，继续来讨论幸福及其反题与合题。借泰戈尔的一首孟加拉语船歌，我们一起来聊聊，被深重的悲伤裹挟之时，逃避、疏导、战斗、遗忘……如果自救的努力均是枉然，我们是否应该坦然将自己交付时间的洪流，交给无畏的可能性？ 河川有合流，另有直归海； 众河水注满，同一水载体。 是众水之子，光洁放异彩。 ——《梨俱吠陀·水子神赞》 🐉 值此佳节，愿大家的选择都出于自由，而非恐惧；通向丰富，而非贫瘠。
这是一期姗姗来迟的随谈播客，主播们似乎需要在感受幸福和幸福的匮乏之间找到中间地带，才能坐下来谈论这个话题。快乐是否有放之四海而皆准的触发条件？I人的幸福和E人的能有多大差异？幸福是一种状态、一种经历、一种人格，还是一种能力？“猪的快乐”与深层满足之间的差异是不是一种幻觉？人类感受幸福的能力是否与其承受痛苦的能力成正比？今天我们是否还能可信地谈论“追求幸福”？ 主播们选取了两个截然不同的文本：伊丽莎白·毕肖普的《三月末》和泰戈尔的《船歌》，分两集来讨论这个不该被哲学家垄断、与每个人密切相关的问题。 "Can February March? No, But April May." 祝大家夏天快乐！ 本期主播：包慧怡、桑阳（Luca） 制作人：张泽熙 本期节目诗歌文本：
本期我们将探讨何为历史的真相，或者真相的前历史。相关诗歌文本《学者和他的白猫》在31集中（该集包含包老师清唱版白猫之诗！欢迎补课）Pangur Ban是古爱尔兰语文学中第一只有名字的猫。 本期主播：包慧怡、桑阳（Luca） 制作人：张泽熙 Veritas: the Roman goddesss of Truth 修昔底德 Thucydides (c. 460 – c. 400 BC) was an Athenian historian and general. His History of the Peloponnesian War recounts the fifth-century BC war between Sparta and Athens until the year 411 BC. Thucydides has been dubbed the father of "scientific history" by those who accept his claims to have applied strict standards of impartiality and evidence-gathering and analysis of cause and effect, without reference to intervention by the gods, as outlined in his introduction to his work. (wikipedia) Clio, Muse of History [1800] by Charles Meynier [1768–1832] History 词源: late 14c., historie, "relation of incidents" (true or false), from Old French estoire, estorie "story; chronicle, history" (12c., Modern French histoire), from Latin historia"narrative of past events, account, tale, story," from Greek historia "a learning or knowing by inquiry; an account of one's inquiries; knowledge, account, historical account, record, narrative." This, along with verb historein "be witness or expert; give testimony, recount; find out, search, inquire," are derivatives of histōr "knowing, expert; witness" (as in hyperhistor "knowing all too well"), reconstructed to be from PIE wid-tor-, from root weid- "to see," hence "to know" [Watkins]. Thus it is related etymologically to Greek idein "to see," eidenai "to know," and to idea and vision. (source: https://www.etymonline.com/word/historian) 包老师的猫“潘谷白”：
The Last Sleep of Arthur in Avalon by Edward Burne-Jones