Show Notes
The brilliant Lou Sanders is the latest comic to sit down with Hask to talk him through the tricks and the pitfalls of embarking on a stand up career. She recalls gigs that have gone wrong, emphasises the importance of being yourself and her secret to writing comedy.
Lou also talks about her own path into stand up: why she was terrible at doing office jobs - don't get her to book your trip to Russia - and how it was harder for women at the start of her comedy career.
Meanwhile, James wonders how he should deal with hecklers and reveals a hidden talent for chess.
Follow James on Twitter @jameshaskell and Instagram @jameshaskell
Follow Lou on Twitter @LouSanders and Instagram @LoulieSanders, and for more info on her latest projects and gigs please visit lousanders.com
More from Amuse Douche with James Haskell
Prepare to be entertained, surprised, and thoroughly amused as James Haskell takes to the stage with his first full-length 35-minute comedy set.
It’s the last episode of Amuse Douche before James’ full length set. Luckily, he’s teamed up with the brilliant comedian Suzi Ruffell to explore the power of comedy in breaking down barriers. Together, they delve into the often unspoken challenges faced by comedians, particularly when confronting misogyny and homophobia.
As the twenty minute live set draws closer, another comedian takes a look at Hask’s previous eight minutes. This time, it’s former dominatrix and American comic Desiree Burch who casts her eye over his material. A far cry from the prudish British stereotype, Desiree isn’t afraid to tackle provocative subjects and speak her mind - so what will she make of James’ work? And has he finally met his match in comedy?
Seven weeks in and the reality of having to do a 20-minute set is hitting James hard. So he decides to share his eight minute set with today’s guest Jordan Gray, to get some constructive criticism alongside her advice.
For Hask, today’s episode feels like meeting an old mate at the pub. But what comedian, actor and classically trained singer Lloyd Griffith teaches him, is that in comedy, this could be a recipe for disaster. What’s funny in the pub with your mates isn’t always funny on stage, and vice versa.