Show Notes
Episode No. 761 features artists Denzil Forrester and William Wylie. Forrester is featured in "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago through September 20. The exhibition explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art produced in the Caribbean, New York, London, and beyond. It was curated by Carla Acevedo-Yates with Cecilia González Godino, Iris Colburn, Nolan Jimbo, and nibia pastrana santiago. A catalogue will be published by the museum and DelMonico Books in July. It is available from Bookshop and Amazon for $60-65. The Grenada-born Forrester is best known for paintings that mine London's dub reggae culture and music clubs of the 1980s for subject and verve. The drawings he made in urban dance halls then continue to inform his work. His paintings are full of references to diaspora, the policing of Black people and culture in the UK, and dub reggae music itself. White Columns, New York, the Institute of Contemporary Art, Miami and the Kemper Museum of Contemporary Art, Kansas City have presented solo exhibitions of his work in the US; in the UK, Nottingham Contemporary, the Jackson Foundation Gallery, Cornwall have too. His work is in the collection of museums such as the Tate, London, and the Metropolitan Museum of Art, New York. Wylie's new photobook is titled "The Eighty-Eight: Photographs from a Japanese Pilgrimage." It features pictures from Wylie's experience fo the Shikoku Pilgrimage, a trail that vists 88 temples associated with the Buddhist monk Kūkai (Kōbō Daishi) on the island of Shikoku. The book was published by George F. Thompson Publishing in association with the Center for the Study of Place, and features an essay by Pico Iyer. Amazon offers it for about $42. This is Wylie's seventh book. His pictures are in the collection of museums such as the Metropolitan Museum of Art, New York, the National Gallery of Art, Washington, and the Yale University Art Gallery. Air date: June 4, 2026.
More from The Modern Art Notes Podcast
Episode No. 781 features artist Clare Rojas and curator Hillary Olcutt. The Columbus (Ohio) Museum of Art is presenting "Clare Rojas: Returning" a survey of 60 works the Ohio-born Rojas has made mostly over the last decade. It particularly spotlights works Rojas has made that examine the cyclical nature of life. "Rojas" was curated by Katherine Brodbeck and is on view through February 7, 2027. Rojas' distinct visual language is equally comfortable presenting figurative scenes and minimal abstract compositions that feature symbology and fantasy. Her pictures often engage with fauna and Peruvian mythology. Rojas' work has been included in exhibitions at museums such as SFMOMA, the de Young Museum, San Francisco, The Contemporary Austin, and more. This is her most significant museum solo show to date. As discussed on the program: Peggy Honeywell discography (Rojas' musician alter ego); Clare Rojas wallpapers. Olcutt is the curator of "Rooted in Place: California Native Art" at the de Young Museum, San Francisco. The presentation, part of the Fine Arts Museums of San Francisco's reimagining of its Arts of Indigenous America galleries, is the first in a series of exhibitions that highlights specific regions of Native California. This first installation looks at art from northwestern California, home to the Karuk, Yurok, Hupa, Tolowa, Tsnungwe, and Wiyot communities. It's on view through June 6, 2027. Instagram: Clare Rojas, Tyler Green. Air date: October 22, 2026.
Episode No. 780 features curator Edward Town and author Tim Barringer, and curator Leigh Arnold. The Yale Center for British Art is presenting Town's "John Constable: The Landscape Reimagined" through July 25, 2027. The exhibition examines Constable's open-air paintings, pictures which helped transform European landscape painting, and which had significant impacts on United States painters too. "Constable" features works such as cloud studies, oil sketches, and two of Constable's vaunted six-footers, including YCBA's own Hadleigh Castle, one of the most iconic works of English landscape painting. It is the only major US exhibition of Constable's work on the 250th anniversary of his birth. The exhibition is accompanied by Barringer's Constable, the third installment in YCBA's Collection Series. The book includes a contribution from Nicholas Robbins. Bookshop and Amazon offer it for $35-37. Arnold is the curator of "Bruce Nauman: Identical" at the Nasher Sculpture Center in Dallas. The exhibition features a group of polyurethane, silicone rubber, and plaster-cast animal forms, alongside a rotating selection of drawings and a 3D video, made from elements that the artist had in his New Mexico studio. It is on view through March 21, 2027. Works discussed on the program include: Bruce Nauman, Animal Pyramid, 1989; and Bruce Nauman, Carousel (stainless steel version), 1988. Instagram: Edward Town, Tim Barringer, Leigh Arnold, Tyler Green. Air date: October 15, 2026.
Episode No. 779 of The Modern Art Notes Podcast is a holiday weekend clips show featuring artist Stacy Kranitz. This week Terrible Baby Books is publishing Kranitz's Ain't No Grave Gonna Hold My Body Down, a new book that examines the evolving representation of the Appalachian mountaineer, tracing how poverty in the region has been constructed, challenged, and reimagined over time. Work in the book will be exhibited this fall at the Biennale Images Vevey in Vevey, Switzerland, The Contemporary Dayton, in Dayton, Ohio, and at The Gallatin Galleries, New York University. Ain't No Grave is available from Terrible Baby for $70. Kranitz's work, primarily made in the southern Appalachian Mountains, presents the complexity and instability of a rugged region on which industry has preyed. Her work is in the collection of museums such as the National Gallery of Art, Washington, Harvard Art Museums, and the Museum of Fine Arts, Houston. Her sold-out 2022 book As it Was Give(n) to Me was published by Twin Palms and was shortlisted for a Paris Photo-Aperture First Photobook Award. This episode was taped in 2023 when Kranitz was included in "A Long Arc: Photography and the American South since 1845" at the High Museum of Art, Atlanta. The exhibition considered the South as a forger of American identity and examines how Southern photographers have contributed to both the advance of their medium, and the US project. It was curated by Gregory J. Harris and Sarah Kennel. For images and links to images, please see Episode No. 620. Instagram: Stacy Kranitz, Tyler Green. Air date: October 8. 2026.
Episode No. 778 features artist Celeste Rapone. The MCA Chicago is presenting "Atrium Project: Celeste Rapone" in the museum's two-story entrance space through Jun 20, 2027. The presentation was organized by Jamillah James with Korina Hernandez. Rapone's work centers domesticity, intimacy, and daily life, particularly as experienced by women. She has been included in exhibitions at the Institute of Contemporary Art Boston and the Georgia Museum of Art; her work is in the collection of the Hammer Museum, University of California, Los Angeles, the Los Angeles County Museum of Art, the Speed Art Museum, Louisville, and the Pérez Art Museum Miami (promised). Instagram: Celeste Rapone, Tyler Green. Air date: October 1, 2026.
Episode No. 777 of The Modern Art Notes Podcast features artist Jitish Kallat. The Menil Drawing Institute is presenting "Wall Drawing: Series: Jitish Kallat" through August 8, 2027. For the exhibition Kallat has produced a site-specific wall drawing that grows out of his years-long engagement with Project A119, a partly declassified 1958 US Air Force plan to detonate a nuclear bomb on the moon. The drawing Kallat has made for the MDI, Wall Drawing / Redux: A119, presents enlarged images derived from Kallat's 2025 Accordion of Drawings / Project A119 / Early Intuitions, in which watercolors evoke an unrealized Cold War story of ambition, secrecy, and the exporting of global violence to the moon. The presentation was curated by Edouard Kopp. Kallat's work often blends the intimate and specific and the immense, and references history, science, time, and philosophy. He has exhibited at institutions such as the Art Institute of Chicago, the Art Gallery of New South Wales, the Tate Modern, London, and the Mori Art Museum, Tokyo, and he has participated in biennials in Venice, Gwangju, Havana, and more. Works discussed on the program and extensively documented on Kallat's website include: Epilogue, 2011; Public Notice 3, 2010; Covering Letter (Terrum Nuncius), 2018-20; "I draw, therefore I think" (curatorial project); and Conjectures on a Paper Sky, 2025. Instagram: Jitish Kallat, Tyler Green. Air date: September 24, 2026.