Show Notes
This episode is a conversation between dancers Kerem Gelebek and Soa Ratsifandrihana. Soa is a Franco-Malagasy dancer and choreographer based in Brussels. And Kerem is from Turkey and based in Paris, France. We’ll hear them discuss how they use the term interpreter in place of that of choreographer or dancer, and how their work integrates personal and cultural archives. They also speak about the challenges of creating work that incorporates their heritage without exoticizing it. You can read a full transcript of this episode and links to resources mentioned here.
This episode is a collaboration with Dance Reflections by Van Cleef & Arpels. This initiative supports choreographic heritage, nurtures contemporary creation and engages the widest possible audience in conversations about dance.
Hosted on Acast. See acast.com/privacy for more information.
More from þ thorns þ
In this episode Jamie Stewart is in conversation with Martin Hargreaves, head of the Rose Choreographic School. Jamie Stewart is a musician and the founder of Xiu Xiu, an experimental group they began in 2002. Across more than two decades, Xiu Xiu's music has moved through noise, tenderness, violence, desire, grief, politics, and intimacy. Martin Hargreaves is a dramaturg and writer whose interests, in his own words, "vacillate between boredom and hysteria." Their research moves across performance and performativity, recent histories of contemporary dance, queering practices, and camp misunderstandings.
This episode is a conversation between jee chan, Jelena Golubović and Bilawa Ade Respati.
This episode is a conversation between Naz Cuguoğlu and Steve Dickison. Steve directed The Poetry Center & American Poetry Archives at San Francisco State University from 1999 to 2024, and is a writer whose work engages deeply with poetry, criticism, and conversation. Naz is a curator of contemporary art, currently working at the Asian Art Museum in San Francisco, whose practice unfolds across exhibitions, research, and collaborative formats.
This episode is a conversation with Black Quantum Futurism, an interdisciplinary practice founded by Rasheedah Phillips and Camae Ayewa (Moor Mother). Their work brings together quantum physics with Afrodiasporic understandings of time, space, ritual, text, and sound, creating frameworks for counter-histories and alternative futures. Rasheedah is a writer, artist, and housing advocate whose work explores temporalities and community futurisms through a Black futurist lens. Camae, also known as Moor Mother, is a musician, poet, and visual artist whose practice moves across sound, performance, and collaboration.
This forms part of a mini-series, Dreaming Communities, curated by performing arts researcher, Victoria Pérez Royo. She defines the series as "a group of people having conversations around what we call the dreaming substance, meaning all the work developed around images that do not appear on a material surface outside of the body".