
Wuthering Heights is a disgusting film, but is it a love story?
The New Society | culture from the New StatesmanShow Notes
Wuthering Heights is a story that has been told and retold, adapted and reinterpreted so many times since publication in 1847.
Every generation seems to rediscover Emily Brontë’s ever-enduring novel, and every generation seems convinced it finally understands it.
Now, it’s British filmmaker Emerald Fennell’s turn. And once again, we’re left asking: is this a love story, a ghost story, a story of obsession, or something stranger that refuses to settle into any single interpretation?
Tanjil Rashid is joined by Lucasta Miller.
Hosted on Acast. See acast.com/privacy for more information.
More from The New Society | culture from the New Statesman
Carlo Rovelli is a physicist. But he’s also so much more than that. Perennially on lists of the world’s top thinkers, Rovelli likes to think and think hard, about the big questions, where physics meets philosophy and art and literature.
You know what you know, and I know what I know, but only when we know what the other knows do we have common knowledge.
Every story, they say, needs a beginning, a middle and an end; every story needs a setting.
"We live in a world that deserves unicorns," says Katherine Rundell.
A third of British adults who used to read for pleasure don't anymore.