Running Horror at the RPG Table | Night Hunters Interview with Wolfgang Baur & Celeste Connowitch

In this episode of the World Anvil Worldbuilding Podcast, Janet talks with Dr. Trent Hergenrader, professor and director of the Center for Worldbuilding and Storytelling, and Dr. Stephen Slota, a learning scientist and instructional designer, both co-authors of The Worldbuilding Workshop: Teaching Critical Thinking and Empathy Through World Modeling, Simulations, and Games. Together they dig into what makes speculative fiction feel genuinely hopeful without tipping into naivety or saccharine wish-fulfillment. The conversation ranges widely: How "utopia" is always somebody else's dystopia Why keeping worldbuilding separate from storytelling helps writers find authentic conflict How cozy aesthetics (Stardew Valley, Animal Crossing) can carry just as much political weight as darker dystopian works like Andor or The Handmaid's Tale Trent and Stephen unpack the "character plus setting equals plot" equation, why failure and setbacks often create more compelling character moments than easy wins, and how tabletop role-playing games reveal the way different perspectives shape the same shared story. The discussion also explores craft-level questions around avoiding predictable or contrived surprises, the dangers of binary good-guy/bad-guy worldbuilding, and how writers can use genre expectations as tools to subvert audience assumptions in satisfying ways. The episode closes by connecting these fictional techniques back to real-world applications — how worldbuilding methodology can teach empathy, systems thinking, and critical reasoning skills that extend far beyond fiction into education, business, and civic life. Topics covered: defining hopeful speculative fiction, worldbuilding versus narrative perspective, cozy genre elements and political subtext, plot construction and the role of failure, avoiding naive or saccharine endings, subverting genre expectations, and using worldbuilding as a tool for real-world critical thinking and empathy.

In this episode of the World Anvil Worldbuilding Podcast, Janet talks with R.C. Helix (Chris Moujaes), creator of the Flux Destiny universe and a veteran producer with over two decades of experience in film, animation, and publishing — including executive producer credits on the Mass Effect: Paragon Lost and Dragon Age: Dawn of the Seeker anime films. The two dig into what makes anime such a powerful storytelling medium and how its worldbuilding lessons translate across novels, games, and beyond. The conversation covers why anime resonates so strongly with audiences (its willingness to respect viewer intelligence and commit to a singular creative vision), standout examples of worldbuilding done right like Fullmetal Alchemist and Attack on Titan, and how deliberate, connected decision-making — from magic systems to timelines — creates authenticity. Helix and Janet also explore the role of art style in maintaining suspension of disbelief, common misconceptions (like mistaking complexity for sophistication), and how tropes function as useful shortcuts rather than crutches when handled with intention. The episode closes on a broader lesson for all creators: the importance of holding a clear vision while still being open to feedback, illustrated through Helix's own story of turning down a major studio deal that would have compromised the heart of Flux Destiny. Topics covered: the appeal and evolution of anime as a medium, deliberate worldbuilding and magic systems, art style's role in suspension of disbelief, avoiding complexity for its own sake, using tropes effectively, and balancing creative vision with constructive feedback.

In this episode of the World Anvil Worldbuilding Podcast, Janet sits down with author H. Leighton Dixon to explore the booming romantasy genre. Dixon, known for the Dragons of Solanus series, discusses her latest release, Ship of Spells, a nautical romantasy featuring a sentient ship, a Warsguard mage, and an enemies-to-lovers slow burn. The conversation covers what actually separates romantasy from fantasy-with-romance or romance-with-fantasy elements, why the genre has exploded in popularity (from the influence of Game of Thrones and Harry Potter-raised readers to the evolution of paranormal romance), and the persistent misconceptions that dismiss it as "fluff." Dixon and Janet dig into craft specifics: How worldbuilding should generate obstacles and character motivation rather than sit as decoration Popular tropes like found family and grumpy-sunshine pairings Building chemistry and consent on the page Navigating "spice" levels with intention The episode wraps with practical advice for writers curious about the genre, including research strategies, thoughts on writing to market versus writing the story you want to tell, and encouragement to start small with short stories or novellas rather than diving straight into a full novel. Topics covered: defining romantasy, worldbuilding as character foundation, common tropes (enemies-to-lovers, found family, portal fantasy), writing chemistry and consent, spice levels and reader expectations, trend-chasing vs. authentic storytelling, and resources for aspiring romantasy writers.

Holidays and special occasions are supposed to be joyful, but for creatives they're often a minefield of disrupted routines, shrinking emotional bandwidth, and vanishing free time. This episode, Janet talks with writer, editor, and publisher Sandra Taylor—author of Structuring Life to Support Creativity—about how to protect your creative spark when life gets chaotic. Topics covered include: Reframing celebrations themselves as a creative project competing for the same limited resources as your other work The "suitcase" metaphor: why you can't fit everything in, and how to make conscious short-term priority shifts Learning your personal "canaries"—the early warning signs (an overflowing inbox, unwashed hair, feeling negative about your work) that tell you it's time to pause Quick-fix tools vs. systemic changes for managing disruption, from five-minute creative bursts to saying no to recurring commitments that break your holiday "Spark collection": turning travel, gatherings, and even awkward parties into raw material—photos, phrases, and observations to pan for gold later Viewing family and obligations through a fantasy or sociological lens as a creative exercise Navigating guilt and competing demands between family time and creative time, including how to renegotiate old traditions without unnecessary conflict Building a personal coping toolkit (and keeping it somewhere visible) for when you're too depleted to remember what helps Practical strategies for staying creative while cooking big meals or traveling, including batch prep, notebook writing, and using dead time productively Whether you're trying to protect a few minutes of writing time between family gatherings or just trying to survive the mental load with your creativity intact, this episode is full of grounded, compassionate advice. Sandra's book, Structuring Life to Support Creativity, is available now. You can also find her on Patreon, where she offers community writing sessions and structural coaching.

In this episode, host Janet sits down with Scottish fantasy author and editor Shona Kinsella (The Daughters of Nicnevin, The Heart of Winter, The Flame and the Flood) to dig into one of worldbuilding's richest wells of inspiration: folklore. They start with a whirlwind tour of favorite folklore-inspired fiction — from Naomi Novik's Spinning Silver and Uprooted to Lucy Holland's Sister Song, T. Kingfisher's Nettle & Bone, and classics like The Dark Is Rising and The Black Cauldron — before diving into the craft questions every worldbuilder faces when working with mythic material. Topics covered include: Subverting expectations vs. honoring them: how to bend the "rules" of familiar creatures like vampires and fae without alienating readers Who owns folklore? navigating cultural respect and sensitivity when drawing on traditions outside your own, especially living religions and belief systems still practiced today Inspiration vs. plagiarism: why folklore's ever-shifting, oral-tradition nature makes it different from other source material Capturing that "folkloric feeling": archetypes, tropes (mistaken identity, missing time, hospitality rules, dream-omens), and the rhythm of language itself Handling problematic elements: practical strategies for reworking outdated or bigoted baggage in old stories, illustrated with Shona's own reimagining of a Scottish myth in The Heart of Winter Where to find folklore: local museums, university archives, place names, and the value of digging past the "rainbowified" modern versions to find the older, stranger, more dangerous originals Whether you're building a novel, an RPG setting, or a game world, this conversation offers a thoughtful framework for using folklore with both creativity and care. Find Shona online at ShonaKinsella.com, and check out her latest release, The Daughters of Nicnevin, from Flame Tree Press.