
Show Notes
To be heard as complaining is not to be heard, writes Sara Ahmed. In No! The Art and Activism of Complaining, her sweeping exploration of complaint as a means of resistance, Sara Ahmed attunes her “feminist ear” to those who seek to challenge powerful institutions. She shows how complaints can unbury past complaints, getting them out of filing cabinets or from behind closed doors, allowing us to see institutions more clearly—how they work, and for whom they work.
Where complaints live, how complaints are made, who receives them, who buries them and where—Sara Ahmed’s accessible, attentive writing brings to life the lessons learned from people knocking at closed doors, teaching us how to collectively resist the glacial weight of institutional power. This book inspires all of us to persist, to say “No!” and to build new collectivities that break down brick walls together.
Guest: Sara Ahmed is an independent feminist scholar. She has published eleven books, including The Feminist Killjoy Handbook. She lives in Cambridgeshire, England.
Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer of the Academic Life podcast and newsletter.
Playlist for listeners:
How We Show Up
Indigenous D.C.
We Refuse: A Forceful History of Black Resistance
What Might Be
Living Resistance
Leading Toward Liberation
Leading From The Margins
Thanks To Life
I Have Avenged America
Black Boy Out Of Time
Shoutin In The Fire
The Names Of All the Flowers
Hands Up, Don't Shoot
That Librarian
Book Banning
Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
More from New Books Network
Elizabeth Rodini joins Jana Byars to talk about her new forthcoming book, On the Street of Hidden Shops: One City Block, Two Thousand Years, and a Walk Through the Layered Lives of Rome (U Chicago Press, 2026). Delve into Rome's lost history through the stories of a single city block. Cutting through the heart of Rome is Via delle Botteghe Oscure, a time-worn street named for the mysterious "shops" said to run beneath it. History lies thick here, a museum atop a convent atop ancient ruins; layered in are the traces of artisans and poets, pilgrims and saints, a Fascist deportation, a communist coffee bar, a political assassination, and shopkeepers, too. These stories all rest upon a single city block, the same place where, in 13 BCE, the triumphal Roman general Lucius Cornelius Balbus built a monumental theater complex in his own honor. Elizabeth Rodini's On the Street of the Hidden Shops digs deep into this corner of the city, uncovering a set of surprising, often poignant narratives that range across two thousand years. For as the walls of Balbus's compound decayed and the neighborhood was rebuilt, this block would come to shelter Romans from all walks of life: the daughters of local prostitutes, an earnest young man in search of a bride, an entrepreneur determined to preserve the city's colorful dialect, a Jewish family recently liberated from the nearby Ghetto, a band of idealistic archaeologists unearthing a long-forgotten past, as well as a gifted baker, a medieval donkey, and a Renaissance ghost. Their stories survive in archives and artifacts, but also in the enduring power of rumor and legend. On the Street of the Hidden Shops invites us on a captivating journey to one place across many centuries. Its tight urban focus reveals a Rome most visitors miss, while uncovering some of the many Romes that have been largely lost to history.
Selling the Word of God: The Early Commercial History of the English Bible (Bodleian, 2026) by Dr. Harry Spillane is a history of the English Bible as a book. A book that in order to be read had first to be sold.
In Traveling the Yellow Brick Road: What We Learn from The Wizard of Oz and Wicked (McFarland, 2026) Steven Keslowitz explores how The Wizard of Oz and Wicked can represent the promises and contradictions of the American dream. They engage the American spirit as separate works that share a distinct universe. By reimagining the moral framework of the 1939 Oz film, Wicked challenges long-held beliefs about the nature of heroism, villainy, and truth. Together, the films offer a complex portrait of American motivations and obstacles.
The 2011 Fukushima Dai’ichi nuclear disaster was the worst industrial nuclear catastrophe to hit Japan. It was a major event, rated at the highest severity, which released radioactive elements into the power plant’s surrounding environment when back-up systems failed and could not sufficiently cool the nuclear reactors. At least 164,000 people were permanently or temporarily displaced.
In Revolutionary Ink: New York Printers and the Promise of Democracy, 1693-1804 (Cambridge UP, 2026), my guest Mark J. Noonan explores the careers of New York printers whose presses disseminated Enlightenment ideals that fueled the American Revolution and framed the political debates of the early republic. Long overshadowed by the celebrated authors whose works they produced, printers William Bradford, John Peter Zenger, James Parker, Thomas Greenleaf and others helmed presses that provoked civic engagement, cultivated an appreciation for the arts and sciences, and defended press liberty. The book also examines the equally revolutionary work of their wives, who assisted with and sometimes ran their husband's presses. Throughout the narrative, Noonan addresses the discrepancy between revolutionary rhetoric and practice, and argues that to grasp New York's early print history is to confront the paradox of the Anglo-American Enlightenment: its profound advancements alongside the denial of universal human rights.