
Show Notes
No, we don’t mean “Human” and “Eternal Nightmare.” We are raising a question regarding whether actual violence and death associated with music and art changes your perception of the artist and the work itself.
Specifically, does Burzum sound different to you knowing Varg killed Euronymous? Can you still listen to Burzum? More broadly, how do the actions of artists affect your enjoyment of their art, whether positively or negatively?
Ultimately, can you separate the art from the artist, and does Mayhem's music sound better to you given their history of violence.
-------------------- Hosts: Jason Walton and Nick Wusz. Produced by Jason Walton for Earth in Sound Productions. -------------------- Support the podcast by becoming a Patreon member here: IHM Patreon Follow us on socials, donate to support the podcast, and visit us online: I Hate Music Linktree Email and listener suggestions to: [email protected] - Part of the Distorted Paths Podcast Network -
Hosted on Acast. See acast.com/privacy for more information.
More from I Hate Music
Today we revisit Episode 70 from January 31st, 2024. This was part of a larger episode on Record Collecting, but what we are republishing is a semi-exhaustive piece featured on Episode 70 about Napalm Death's classic and divisive track, "You Suffer." We gathered clips and comments from friends and luminaries in the scene, each one offering their thoughts on the song, interspersed with live versions and covers of the infamous one second song. See below for the breakdown of who and what you are hearing in this piece, in order of appearance.
This is the first in a new series we are calling Podcast Takeover. We hand the reins over to listeners and let them do the work. For this one, long time listener and yes, one of the Kyles, does a deep dive into film sampling in music. Kyle holds our hands as he explains plunderphonics, makes Sebastian happy by playing Buckethead, and showcases a wide and deep knowledge of both music and film.
In 2014 Jason Walton did the unthinkable by attempting to cover Bjork’s gorgeous and heartbreaking masterpiece “Bachelorette” off of her stunning 1997 album “Homogenic.” In this episode we listen to the original, and Self Spiller’s version and discuss them both.
A warrior and his sword. Fresh blood fell on the snow-covered hills. This is heavy metal—this is Unchained Vengeance.
Let’s go all the way back to Episode 10 from March 10, 2018.