Show Notes
Kate Kennedy meets musicians who, like her, had to stop playing after injury and reshape their lives. What does being forced to fall silent mean for a musician's relationship with their instrument? "My name is Julian Lloyd Webber and I am an ex-cellist". The internationally renowned performer, Julian Lloyd Webber talks for the first time in detail to Kate about the moment he realised his 40-year career could be over mid-recital: "Suddenly I lost power in my right arm - I thought I was going to drop the bow. I had never experienced anything like it - I didn't know what was wrong or what to do. I was genuinely frightened". Julian shares the sense of bereavement he felt after his prestigious career of four decades ended due to a herniated disc in his neck. Over the next few weeks, Julian tried to pretend everything was normal. His manager was calling him with engagements he had always wanted to undertake, such as a performance of Shostakovich's First Cello Concerto in Moscow. But the wear and tear of Julian's performing career on his body was too much - he learned that the herniated disc was pressing on a nerve which was causing a loss of power in his arm. Doctors told him that he could have an operation, but with little guarantee of success, and with high risks attached. He had a young family at the time, so chose to sacrifice the cello. He has never played since. Julian and Jiaxin, his wife and fellow cellist, reflect on the last fateful concert they played together and how they've found positives in silence. Presenter: Kate Kennedy Producer: Erika Wright Production Coordinator: Elisabeth Tuohy Executive Producer: Rami Tzabar Healing Musicians is a TellTale Industries production for BBC Radio 3
More from The Essay
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What connects actors with baristas? In 1983, the American sociologist Arlie Russell Hochschild published a book called The Managed Heart which studied the working world of airline stewards. Jaswinder Blackwell-Pal’s essay considers what it means when a waiter smiles as they serve you and looks at some recent court cases over performing at work. Dr Jaswinder Blackwell-Pal is a New Generation Thinker on the scheme run by the Arts and Humanities Research Council and the BBC to put academic research on radio. She is based at Queen Mary, University of London. Her research focuses on performance and work, including how drama based methods are implemented in across other sectors and industries. She is a member of the research collective Performance and Political Economy. Producer: Lisa Jenkinson
The Japanese philosopher Yujin Nagasawa says the majority of people are what he calls ‘existential optimists’. What does this mean for ideas about evil and the creation of life? Jack Symes’ essay takes us through the views of thinkers including Schopenhauer, Stephen Law and Camus. Jack Symes is a New Generation Thinker on the scheme run by the Arts and Humanities Research Council and the BBC to put academic research on radio. He is based at Durham University. His books include Philosophers on Consciousness: Talking about the Mind and Talking about Existence and Defeating the Evil-God Challenge and he is working on a book about morality. Producer: Luke Mulhall
Having worked as a criminal and family barrister, Shona Minson has seen the effect on women and their children when a mother is sentenced to prison for committing a crime. Her essay considers the 1989 Children Act and what she sees as contradictory approaches to motherhood in British law. Dr Shona Minson is a New Generation Thinker on the scheme run by the Arts and Humanities Research Council and the BBC to put academic research on radio. She is based at the University of Oxford, has researched the sentencing of women and has written a book Maternal Sentencing and the Rights of the Child. She has also been appointed to the newly created government advisory body the Women’s Justice Board. Producer: Lisa Jenkinson
If cinema is often associated with Hollywood or the European New Wave, since the 1970s activist-filmmakers around the world have been involving local people in telling their own stories. Co-creating films about land rights, food security, and pollution, these filmmakers pioneered what Becca Voelcker calls Land Cinema. In her essay, she shares examples made by Zhang Mengqi, Tsuchimoto Noriaki, Ogawa Productions and Enzo Camacho and Ami Lien Dr Becca Voelcker is a New Generation Thinker on the scheme run by the Arts and Humanities Research Council and the BBC to put academic research on radio. At Goldsmiths, University of London she lectures on art, film and visual culture, particularly in relation to politics and ecology; and has written for publications including Screen, Frieze and Sight & Sound. Producer: Erin Downes