How War Horse was made, Sex Education's Patricia Allison & reviews of Driftwood and Under The Shadow
The London Theatre ReviewShow Notes
A mixed bag of horror, comedy and drama this week...First up, Martina Laird's debut play Driftwood arrives at the Kiln: set in a Port of Spain gentleman's club on the eve of Trinidad's independence, it's bursting with ideas, a stellar cast, and a second act that gets quite mad. Then the gang reviews Under the Shadow at the Almeida. Leila Farzad is magnetic as a woman trapped in Tehran during the Iran-Iraq War, stalked by something that may or may not be a jinn (and may or may not have rubber fingers).
Producer Tim Bano sits down with Marianne Elliott and Tom Morris to discuss how War Horse, one of the most successful pieces of theatre ever made, came into being almost 20 years ago. It went very wrong before it went very right...
And Patricia Allison, Sex Education's Maeve, is at the Orange Tree in Peter Shaffer's Black Comedy. She answers our Five Questions.
Follow us on Instagram and watch us on YouTube @thelondontheatrereview. Hosted on Acast. See acast.com/privacy for more information.
More from The London Theatre Review
This week, Nick, Nick and Nancy head to the Harold Pinter Theatre for The Cherry Orchard, starring Kristin Scott Thomas and Stephen Mangan. Conor McPherson and Ian Rickson give Chekhov’s crumbling aristocrats a good shake, while Nick Clark makes a confession: he’s somehow never seen a Chekhov play before. Will this one get him hooked?
Welcome to a special edition of the London Theatre Review in association with Marquee TV, the expert curated streaming platform for arts and culture. This is our first ever watch party in which we pick a production from Marquee TV's huge catalogue, watch it, and discuss along with your thoughts.
This week, the gang gets to grips with economics, ballet and the Bloomsbury set as James Graham’s new play The Standard of Living comes to the Theatre Royal Haymarket. Rory Kinnear plays John Maynard Keynes, with star ballerina Natalia Osipova as his wife Lydia Lopokova. Producer Tim joins Nancy and Nick Curtis for the review, but does it all add up?
This week, two starry openings in the West End: Christine Baranski and Richard E Grant bring Noel Coward's frothy classic Hay Fever to the Wyndham's and Gillian Anderson and Billy Crudup slug it out in Edward Albee's masterpiece Who's Afraid of Virginia Woolf.
This week, the team travels from ancient Troy via modern Essex to the boxing rings of Depression-era New York.