Jane Lynch

Oscar-winning director Ron Howard tells host Ben Mankiewicz that he feared being “branded” a supernatural comedy director following the success of “Splash” and “Cocoon.” After tapping guidance from his “Happy Days” boss, Garry Marshall, and insight from Frank Capra’s biography, Howard set forth to explore the medium of film in all its genres as a director. He tells Ben about being mesmerized by “Bonnie and Clyde” and “The Graduate” and learning how to work with stars when acting in “The Shootist” with John Wayne directed by Don Siegel. Ron Howard’s Super 8 answers run the gamut from nods to “Project Hail Mary.” and “Eastern Promises,” to “One Flew Over the Cuckoo’s Nest,” and “Blazing Saddles.”

Actor-Director Tony Goldwyn talks with host Ben Mankiewicz about breaking into Hollywood where his family roots run deep and the Goldwyn name looms large. Tony looks back on the ups and downs of his acting career from Ghost to One Battle After Another and explains that directing became a way to get some control in a largely unpredictable business. He also admits that he nearly passed on Scandal– a role that revitalized his career. In the Super 8, he shares his most memorable movie watching experience: being absolutely terrified by The Exorcist.

Director/Producer Hiro Murai whose new show is Apple TV’s “Widow’s Bay,” joins host Ben Mankiewicz. They discuss why he and Donald Glover collaborate so well and how their initial approach to making “Atlanta” was unsustainable. Murai and Ben debate the value of surrealism in art and Murai reveals that he once pitched himself to direct a Beyonce video but completely understands why he didn’t get the gig. His answers to the Super 8 span Japanese films like Miyazaki’s “My Neighbor Totoro” and Takeshi Kitano’s “Sonatine” to the Albert Brooks comedy “Modern Romance” and Kubrick’s “The Shining.”

Oscar-winning actress Sally Field gets real with Ben Mankiewicz. Drawing on her memoir In Pieces, she discusses her fraught relationship with ex-boyfriend/Smokey and the Bandit co-star Burt Reynolds and his similarity to her abusive step-father. During The Flying Nun she was introduced to the Actors Studio where she transformed from a sitcom actress Hollywood had written off into someone who could fight for Norma Rae, fight Spielberg twice for Lincoln, and win both battles. In the Super 8 she praises the work of Louise Fletcher in One Flew Over the Cuckoo’s Nest and reveals she rarely cries at movies.

Oscar-winning actress Susan Sarandon joins Ben Mankiewicz to share unvarnished stories of a life in films– from making Rocky Horror Picture Show, Bull Durham, Witches of Eastwick, and Pretty Baby to navigating the cynical world of showbiz. She argues that every film is political– either challenging the status quo or enforcing it– and reveals her input into the iconic ending of Thelma & Louise which turns 35 this year.