Show Notes
Are we all Materialists? Dialectical Materialists? Or are we souls caught in samsara, with many Past Lives? In this episode about Celine Song's two films, we do not ask those questions. Not really. We ask these ones: Is it possible that being too smart can actually be a problem when it comes to writing films? Why is conflict so important, and why do films fail when you don't have enough conflict? What is the state of the drama and the rom-com today? And why are Celine Song's films both about women caught between 2 perfect men with total patience who are 100% in love and dedicated to her even though she sucks???Please send us hate mail:EMAIL: [email protected]: haventseenpodWe are on youtube, spotify, and apple podcasts!Josh's links:▶️Find me on youtube: https://www.youtube.com/@josh_from_xboxlive🌐Request story notes: https://www.jgscammell.com/ᯤ Spotify feed for my videos: https://open.spotify.com/show/24AHrJ6b1yA0V2WIfXt8KK?si=kKoEms1nQBKpRM7o9yP6JQ✍️Check out my writing: https://yeshua.substack.com/📹Bonus videos here: https://www.patreon.com/Josh_from_xbolive📸 My instagram: https://www.instagram.com/josh_from_xboxlive/🟠🟢🔵 My Letterboxd: https://letterboxd.com/jeshuam/
More from Haven't Seen It
Is SATIRE a dead end? Is it shock value in lieu of insight? Is it the right language to engage with our current cultural and ecological and political crises? We compare Digger to Kubrick, Todd Solondz Happiness (1998), speculate with conviction but without specificity, compare our cats (on camera), and discuss Oblivion Remastered for a little too long. Enjoy
Warning: this episode contains strong opinions and frequent digressions. Listener discretion is advised
Taking suggestions: [email protected] The old pod email is kaput
This was an unplanned episode with no preparation whatsoever. In other words, a normal episode.