
Show Notes
In our first episode Tim is joined by film critic Andrew Pope to give an overview of the Sight & Sound list, and how the 2022 results differed from those in previous years... –––––––––––––––––––––––––––––– Correction: In this episode we discuss how there are three films in the Top 100 made since the previous list in 2012 - Get Out, Moonlight and Portrait of a Lady on Fire. In fact there is a fourth, Parasite (=90). –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Check out the Sight & Sound critic's list here. Andrew's personal Top 10 list is available here. Follow us on Twitter / X @top100pod Get in touch via emai: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0. Music promoted by Copyright Free Music - Background Music For Videos 👉 / @podcastbackgroundmusic
More from The Top 100 Greatest Films Of All Time
This month Tim is joined by Russell Bailey and Olivia Coleman to discuss Hayao Miyazaki's Spirited Away (2001). –––––––––––––––––––––––––––––– Spirited Away is no =75 on the Sight & Sound critic's list. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉 / @podcastbackgroundmusic –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––
This month Tim is joined by Imogen Sara Smith to discuss Buster Keaton's The General (1926). –––––––––––––––––––––––––––––– The General is no =95 on the Sight & Sound critic's list. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉 / @podcastbackgroundmusic –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––
This month Tim is joined by Phil Drinkwater to discuss Jean-Luc Godard's Breathless aka À bout de souffle (1960). –––––––––––––––––––––––––––––– À bout de souffle is no =38 on the Sight & Sound critic's list. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉 / @podcastbackgroundmusic –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––
For this special bonus episode Tim is joined by returning guest Matt Maytum to discuss the results from The Oscars 2026. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉 / @podcastbackgroundmusic –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––
This month Tim is joined by Kat Hughes to discuss Chris Marker's La Jetée (1962). –––––––––––––––––––––––––––––– La Jetée is no =67 on the Sight & Sound critic's list. You can read Kat's personal Top 10 list for the Sight & Sound poll here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Clip of Terry Gilliam interview for Criterion here. –––––––––––––––––––––––––––––– Bezhin Meadow (1937) is available to watch here. –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉 / @podcastbackgroundmusic –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––