Show Notes
Jon Faddis Interview One of jazz history's most extraordinary trumpeters, Jon Faddis has dazzled audiences for more than five decades with his remarkable range, technical brilliance, and deep understanding of bebop. Born in Oakland, California, in 1953, Faddis became a teenage prodigy and a protégé of the legendary Dizzy Gillespie. His career includes performances with Lionel Hampton, Charles Mingus, and the Thad Jones/Mel Lewis Orchestra. Beyond his solo career, Faddis has directed the Carnegie Hall Jazz Band, Dizzy Gillespie Alumni All-Stars, and Chicago Jazz Ensemble. On November 12, 2026, Faddis headlines Miles @100 with Jon Faddis & Friends at the New Jersey Performing Arts Center (NJPAC) in Newark, celebrating Miles Davis's centennial and his landmark recordings Birth of the Cool and Kind of Blue. Joining him are Steve Turre, Gary Smulyan, Erena Terakubo, and other distinguished musicians for an evening honoring one of jazz's greatest innovators.
More from The Jazz Real Book
“Guilty” and Ray Noble (140) “Guilty,” written in 1931 by Richard A. Whiting and Harry Akst, with lyrics by Gus Kahn, is a romantic standard that uses criminal guilt as a metaphor for falling deeply in love. The song features a classic 32-bar AABA form, a memorable melody, and sophisticated harmonies that incorporate augmented dominants, diminished chords, and subtle key changes. Ray Noble (1903–1978), the celebrated British composer, arranger, and bandleader, helped define this era's elegant orchestral sound. Known for his sophisticated arrangements and collaborations with vocalist Al Bowlly, Noble also composed enduring standards including “The Very Thought of You” and “Cherokee.” Although Bowlly originally recorded “Guilty” with Roy Fox's orchestra, the song reflects the romantic sophistication associated with Noble's musical legacy. Ray Noble and Al Bowlly Billie Holiday The Jazz Real Book Podcast Playlist
Ryan Keberle – Trombonist, Composer & Educator Ryan Keberle (born June 16, 1980) is an acclaimed American jazz trombonist, composer, arranger, and educator known for lyrical playing, innovative compositions, and a blend of jazz with diverse musical traditions. A leading voice in contemporary jazz, Keberle has collaborated with David Bowie, Wynton Marsalis, Maria Schneider, and Alicia Keys. He leads several ensembles, including Catharsis and Collectiv do Brasil, and co-leads the chamber jazz trio Reverso. He also directs the jazz program at Hunter College in New York. His newest album, Here Is Donato!, scheduled for release October 23, 2026, on Alternate Side Records, features his Brazilian ensemble Collectiv do Brasil. The recording celebrates Brazilian pianist João Donato's compositions, blending modern jazz improvisation with Brazilian rhythms and melodies. Featuring pianist Felipe Silveira, bassist Felipe Brisola, drummer Paulinho Vicente, and percussionist Guegué Medeiros, the album reflects Keberle’s continuing exploration of musical traditions across cultures.
“Grow Your Own” and Sam Brown (139) Keith Jarrett’s “Grow Your Own,” recorded by Gary Burton’s quintet for the 1971 album Gary Burton & Keith Jarrett, captures the adventurous spirit of early jazz-rock fusion. Featuring Burton on vibraphone, Jarrett on electric piano and soprano saxophone, Sam Brown on guitar, Steve Swallow on bass, and Bill Goodwin on drums, the composition combines intricate rhythms with unconventional harmony. Its unusual structure includes a 15-bar A section, a funky two-bar B section, and a lyrical eight-bar C section. Syncopated melodies, unexpected chord changes, and shifting harmonic rhythms give the piece an exciting, unpredictable character. Guitarist Sam Brown (1939–1977) was a remarkably versatile musician whose career crossed jazz, rock, and experimental music. Beyond his work with Burton and Jarrett, he recorded with Charlie Haden, Bill Evans, Carla Bley, and Paul Motian. Although largely overlooked today, Brown’s creativity and adaptability made him an important contributor to jazz’s evolving sound during the 1970s. Gary Burton and Keith Jarrett Gary Burton -Live The Jazz Real Book Podcast Playlist
Lawrence Haber — Bassist, Composer & Bandleader Lawrence Haber is an accomplished electric and upright bassist, composer, and bandleader with over 25 years of experience performing and recording throughout the New York metropolitan area and Jersey Shore. In 2026, Haber released, Subtle Moves In Silence his first album as a bandleader, showcasing his original compositions, sophisticated musicianship, and collaborations with outstanding New York-area musicians. The project highlights his creative vision and versatility as a composer and bassist.
“Groovin High’ and Diz and Bird in 1945 (138) 1945 was a landmark year for bebop, with Charlie Parker and Dizzy Gillespie establishing a revolutionary new direction in jazz. Their recording of “Groovin’ High,” based on the chord changes of the 1920 popular song “Whispering,” demonstrated bebop’s harmonic and melodic sophistication. Gillespie’s arrangement featured a six-bar introduction, three key changes, and a half-time coda. The 32-bar composition uses two 16-bar sections with different endings, incorporating syncopated eighth-note runs, melodic leaps, chromatic movement, and unexpected ii–V progressions. Parker and Gillespie’s remarkable unison playing and improvisations highlighted their musical chemistry. Their partnership flourished throughout 1945 but weakened following their California engagement, largely because of professional differences and Parker’s addiction. Although they pursued separate careers, their collaboration helped establish the foundation of modern jazz. Dizzy Gillespie 1945 Dizzy Gillespie 1947 The Jazz Real Book Playlist Podcast