Show Notes
Rian Johnson has been making movies with his friends since he was a kid. By the time he graduated high school he had amassed a portfolio of over 100 shorts. Though he says, "they weren't all great," his tenacity proved to be essential in his career. After graduating he spent years looking for the money to finance his first feature, "Brick", which led him to make his own European romp-around feature "The Brother's Bloom" before taking off with "Looper". Today he's best known for directing whodunnit murder mystery films for his tentpole "Knives Out" series and producing other projects through his company T-Street. The scale of the work might have changed, but Rian's love for being on set and making films with friends remains at the core of his relationships on set. Tune in as we have a chat with Rian about his career as he tries to convince us that he's a fan of our show. ----- Buy us a drink!
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Patrick Lawler has had anything but a traditional career in filmmaking. What started with making skate videos and teaching himself After Effects eventually led to directing music videos, buying one of the earliest RED cameras, teaching himself motion graphics, making NFTs, and eventually finding his way back to music videos. Tune in as we talk to Patrick about following whatever creative opportunity comes next, reinventing himself when one path stops working, and how an obsession with learning new tools has allowed him to build a career in some very unexpected places. ----- Buy us a drink!
Natasha Braier's passion for cinematography began with a roll of 110 film that she got while on a family vacation. Her humble beginnings in Argentina informed her resourcefulness with the medium. With Deep Light, Natasha is tapping into years of experience to provide the tools to the next generation of DPs so that they can navigate on set politics and other responsibilities you don't learn about in film school. Tune in as we chat with Natasha about shooting The Neon Demon chronologically and the camera setups required to work on I Love Boosters. ----- Buy us a drink!
Skydiving cinematographer Joe Jennings has been jumping out of planes for fun since the early 90s. For some people that might be enough adrenaline, but Joe needed another task while plummeting to the ground. Throughout his career, Joe has captured some incredible shots with his former X Games skydiving partner Rob Harris, an iconic Superbowl Pepsi commercial, and for feature films like Point Break. Tune in as we get nerdy with Joe and ask about his skydiving helmet rig and all the pressures that come with rolling on a camera during freefall. ----- Buy us a drink!
WARNING: This episode includes SPOILERS from Macon's new film "IDIOTS", in theaters now.
Long before he was building wacky props for Boots Riley's "I Love Boosters", Christopher was storyboarding for commercials and feature films. His work has given him the opportunity to work with directors such as Sam Raimi, Ang Lee, Ron Howard, Spike Jonze, and more! Today, Christopher's love for film is expressed in the ability to create the suspension of disbelief through practical set builds and VFX elements. Tune in as we chat with Christopher about his career blending physical with virtual and why he keeps turning down the opportunity to work with Jon Favreau. ----- Buy us a drink!