Show Notes
What do you do when your horror franchise is running out of ideas? Well, you could send your horror villain into space. Or you could team him up with another famous horror villain for an old-fashioned monster mash. But of course, the Friday the 13th franchise would never resort to such desperate measures... would they? Al is back in the house this week as we check out Jason X (2001), directed by James Isaac, and Freddy vs Jason (2003), directed by Ronny Yu.
Let's just say, plot is not really the reason to watch either of these films. so we won't be announcing a Spoiler Territory section for either of them.
Want to get in touch? You can reach us on [email protected]
Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp
"these are not your dreams" by sleepmakeswaves
More from Caliber 9 From Outer Space
Graham Humphreys programs a sacrilicious double feature for our latest Creepy Spooky Month episode! First up, Hammer horror goes all Satanic Panic and espionage thriller at the same time with The Satanic Rites of Dracula (1973), directed by Alan Gibson. Following this, we explore the deeply weird and also weirdly seminal The Devil's Rain (1975), directed by Robert Fuest. This month is scary enough without the eerie parallels between the apocalyptic imaginings of these two films and today's sociopolitical climate. Plus we find out where John Carpenter got the iconic Michael Myers mask from, and why John Travolta joined the Church of Scientology.
Creepy Spooky Month continues as we revisit that most terrifying of horror subgenres: the airborne threat of malevolent birds! OK, maybe it's not THE most terrifying horror trope, but that won't stop us watching films promising such dubious delights. Ted Bennett is in the house to check out the relatively yet-to-be-discovered Shaw Brothers gem that is Bloody Parrot (1981), directed by Hua Shan, and the epically derided made-for-TV sequel to Hitchcock's classic (and recently covered by us) work of avian existentialism, The Birds II: Land's End (1994), directed by Alan Smithee (otherwise known as, in this case at least, Rick Rosenthal) - that's right, a film so hated that even the director of Halloween: Resurrection saw fit to remove his name from it.
Hell is other people. Apartment living means being close to your neighbours - way too close, in some instances - leading to all sorts of psychological horrors and possible silliness. This week, Dallas Norvell stops by to discuss a couple of apartment horror stories like only the 1970's could turn out. First up: The Tenant (1976), directed by Roman Polanski, followed by The Sentinel (1977), directed by Michael Winner.
The days are cooling down, the leaves are changing colour, and the nights are drawing in. It must be Creepy Spooky Month! Bryan Davidson joins us for the first of a series of episodes all devoted to horror this October - and we start with ZOMBIES. Or at least, zombie adjacency. First up, we discuss Stewart Gordon's absolute cult classic, Re-Animator (1985), and follow that up with a jaunt into some woozy, Italian weirdness: Zeder (1982), directed by Pupi Avati.
The fabulous Samm Deighan is back with us this week to delve into a couple of great, underseen French films - and also to tell us all about her new book on the work of that great master of cinema insanity, Andrzej Żuławski. Exciting! We kick off our double feature with Żuławski's frantic ode to mad French mobsters, L'Amour Braque (1985) and we follow that up with La Cérémonie (1995), directed by Claude Chabrol - a domestic thriller about class, shame and sociopathy that comes on like a television procedural but hits you like a gut punch when you least expect it. Oof!!!