
Professor Sandra Ruiz on poetry, writing, form, Brown Study, Ricanness, anticoloniality, grief-work, walking and being with the dead, and minoritarian aesthetics
The Death Studies PodcastShow Notes
What's the episode about? In this episode, hear Professor Sandra Ruiz on poetry, writing, form, Brown Study, Ricanness, anticoloniality, grief-work, walking and being with the dead, and minoritarian aesthetics Who is Sandra? Sandra Ruiz is the author of Ricanness: Enduring Time in Anticolonial Performance; Left Turns in Brown Study; and Tears for Tears: Aesthetics in Grief Minor. Ruizis the co-author with Hypatia Vourloumis of Formless Formation: Vignettes for the End of this World and The Alleys: Just Dropped in to See What Condition My Condition Was In andco-editor with Shane Vogel & Uri McMillan of the NYU Press book series Minoritarian Aesthetics. When not writing and editing, Ruiz curates and produces through the Minor Aesthetics Lab. At the University of Illinois at Urbana-Champaign, Sandra Ruiz is the Sue Divan Professor of Performance Studies in the Department of Theatre. The special issue on gendered death in visual culture mentioned in the introduction is here.
How do I cite the episode in my research and reading lists? To cite this episode, you can use the following citation: Ruiz, S. (2026) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 June 2026. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.32529204 What next? Check out more episodes or find out more about the hosts! Got a question? Get in touch.
More from The Death Studies Podcast
Who is Jane? Jane McCarthy is an English sociologist who has worked for many decades across various disciplines to focuson ‘family’, childhood, and relationality. In the last 25 years,since the death of her husband when their daughter was aged 5, she has built on this earlier work to explore death and its continuing aftermath in the everyday relational lives of the living, alongside ‘family troubles’ more broadly. She has approached these topics in terms of lived experiences, academic approaches, and professional practices and services. She has particularly offered a view of bereavement as a source of change, rather than the narrower view of ‘loss’, including in the lives of children experiencing a significant death in their lives. Her general approach to all these subjects is to set aside what may be considered ‘healthy’ or ‘unhealthy’, ‘harmful’ or ‘beneficial’, and rather to focus on how disruptive change may be experienced in everyday relational lives, with multiple ramifications, and how people themselves make sense of these within the circumstances of their lives. Some of Jane’s work has involved research and collaborations in Senegal and China, but her primary experience is UK based, where she has particularly valued her involvement with the Community Voices network.
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Dead Women and Gendered Death in Visual Culture for MAI: Feminism and Visual Culture