Show Notes
Hey there, rock fans! In this Rock and Roll Archaeology Shorts we’re calling "The Politics of Dancing," I’m diving deep into how music and presidential campaigns have intersected through the years. From Bill Clinton’s unforgettable use of Fleetwood Mac’s “Don’t Stop” in ’92 to DJ Cassidy spinning records at the 2024 DNC, we’re looking at how rock, pop, and politics come together to tell a bigger story. We’ll hit all the major moments—like Al Gore’s cheeky Macarena—and dig into how these tunes help craft the political narrative. So, crank it up and let’s get into it! Learn more about your ad choices. Visit megaphone.fm/adchoices
More from Rock N Roll Archaeology
"Time has resumed its shape. All is as it was before. Many such journeys are possible. Let me be your gateway."
A sober, chronological narrative of the tragic final day of John Lennon on December 8, 1980. This episode tracks Lennon's last hours, his final interview, and the chilling, parallel actions of his killer, Mark Chapman, waiting outside the Dakota. We go inside the frantic rush to Roosevelt Hospital and recount the surreal, historic moment the news broke during Monday Night Football. This is the definitive, fact-based oral history of an empty, violent act that shattered a generation and a world.
The show opens December 27th, 1961, at the Cavern Club where Pete Best calls in sick, and the boys bring in Richard Starkey - Ringo Starr to the world - to sit in on drums, his first paid gig with the Beatles. It clicks musically; the band really swings with Ringo on drums.
Arrival: we begin the show on February 7th, 1964, in the first-class cabin aboard Pan American Airlines Flight 101 from London to New York City. It’s a raucous, party atmosphere, but John Lennon, for a moment anyway, feels alone in a crowd.