Show Notes
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The real danger was never the boot on the face.
In this episode, we trace the full arc of Huxley's life and thought, beginning with the prophecy he delivered in Brave New World and ending with the afternoon of his death in Los Angeles on the day John F. Kennedy was shot. We follow him from Godalming to Eton, from the eye infection that nearly blinded him at sixteen to the satirical novels of the 1920s that made him the cleverest young writer in England. We enter Brave New World not as a plot to be summarized but as a philosophical argument about what humanity would sacrifice for comfort. We address, honestly, the famous comparison with Orwell, and we ask which of the two prophets has turned out to be more accurate for the liberal democracies of the twenty-first century. We follow Huxley through his turn toward pacifism in the 1930s, his move to California, his long engagement with the mystical traditions of East and West in The Perennial Philosophy, his mescaline experience of 1953 and the philosophical argument of The Doors of Perception, and his strange, ambitious last novel Island, in which he tried to imagine what a good civilization might actually look like. We close with his death, and with the question he leaves behind: in a world that offers infinite comfort and infinite distraction, what happens to the human capacity for meaning?
Please listen only in safe, restful contexts.
(0:00:00) The Last Warning (0:14:23) The Huxley Inheritance (0:28:47) The Satirist (0:43:08) Brave New World (0:57:06) Orwell Got It Half Right (1:12:30) The Pacifist (1:27:12) The Perennial Philosophy (1:42:15) The Doors of Perception (1:56:50) Island (2:11:55) The Prophet in the Desert
SUGGESTED READING Aldous Huxley, Brave New World, Harper Perennial Modern Classics: https://amzn.to/4mRPRoe Aldous Huxley, The Doors of Perception and Heaven and Hell, Harper Perennial Modern Classics: https://amzn.to/4sTtBeM
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Music by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/ Tracks used: Anguish, Blue Feather, Evening Fall (Harp), Gregorian Chant, Heartbreaking, Lightless Dawn, Lone Harvest, Magic Forest, Mesmerize, Mourning Song, Oppressive Gloom, Promising Relationship, Quinn's Song: A New Man, Relent, Smoother Move, Sunset at Glengorm, Trio for Piano Cello and Clarinet, Wounded
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