Show Notes
On ‘Empty Sky’, the atmosphere stretches across a vast landscape of synths and plucked strings. The drums are warm and deeply inviting, a sure-tell sign that this is an Eli Nissan production. Drawing on a euphoric template reminiscent of vintage progressive, the track’s central melodic movement feels like pure bliss. As the title itself suggests, this is music designed to make you soar.
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The title track ‘Run For Cover’ taps into the wide-eyed escapism of the mid-’90s without slipping into nostalgia. Psychedelic details flicker across the drums like LED trails in a dark room, while a restless walking bassline gives the whole thing a wonderfully physical pull. Elements drift in and out of focus, resisting an obvious genre tag while maintaining an easy, heads-down momentum. It’s progressive music in the literal sense: constantly moving, never particularly interested in announcing where it’s going next.
On “Stupa”, the mood opens outward. There’s an unmistakable Balearic quality to its sun-warmed percussion and serrated bassline,a groove that immediately suggests open-air dancefloors and late-afternoon light. A woozy synth gradually sends proceedings into more narcotic territory, while soft vocal fragments, keyboard flourishes and flashes of guitar keep one foot planted somewhere recognisably human. Nothing is hurried or overplayed. Instead, Warren lets each element breathe, resulting in the kind of patient, transportive dance music that comes from knowing exactly how little you need to do.
Colombian DJ NAJEYS has developed a sound rooted in the melodic and hypnotic strains of progressive house. With a background in vocals and percussion, she began exploring electronic music in 2016, developing an approach to DJing that balances driving rhythms, atmospheric textures and emotive melodies.
Recording of Karl Pilbrow's set from Balance Croatia 2026.
Recording of Powel's vinyl-only set from Balance Croatia 2026.