Show Notes
Kate Wolf and Eric Newman are joined by photographer Reynaldo Rivera, whose work is featured on the cover of the LARB's spring issue, which celebrates 15 years of the Los Angeles Review of Books. Rivera discusses his latest photobook, Propiedad Privada, edited by Lauren Mackler and Hedi El Kholti. Along with essays and stories by writers such as Constance Debre, Brontez Purnell, Colm Tóibín, and Justin Torres, it showcases images from Rivera's personal collection, most of which he never intended to show publicly. The photos are intimate and erotic, full of longing, vulnerability, and hope. They capture Rivera's friends, lovers, his longtime partner Bianco, and Rivera himself, in ephemeral moments of lust and physical connection. Utilizing the close spaces of bedrooms, bars and alleys as their setting, they document private performances, intense intimacy, and moments of charged reflection. Together with Rivera's first book, Propiedad Privada offers a complex portrait of Latinx queer life in the U.S., while also taking its place in the timeless archive of desire.
More from LARB Radio Hour
After watching Nathan Fielder and Lance Oppenheim's new documentary You Can See Everything, we're revisiting our chat show, "On Honesty," this week. In this special episode, Kate Wolf, Medaya Ocher, and Eric Newman discuss the "honesty crisis" facing contemporary culture. Using a recent book by the philosopher Christian Miller for reference, the hosts examine the internet as an engine for dishonesty, fueling everything from deepfakes to infidelity, AI cheating, political manipulation, and influencer peddling. Is dishonesty just part of the human condition, and perhaps even the social contract? What would a culture of radical honesty — or radical transparency — look like, and is that what we want?
Kate Wolf and Eric Newman are joined by the director and cinematographer, David Greaves, and his daughter, producer Liani Greaves, to speak about their new documentary, Once Upon a Time in Harlem. Originally conceived by David's father, the filmmaker William Greaves, Once Upon a Time in Harlem was shot in 1972 at a party that Willian engineered with the living luminaries of the Harlem Renaissance. During the span of a long afternoon, this extraordinary group reflected on – and argued about – their politics, aesthetics, ambitions, and history. Greaves captured a crucial moment when the Renaissance's cultural contributions were at risk of being overshadowed. But through interviews with the artists Romare Bearden and Aaron Douglas, the writers Arna Bontemps and Richard Bruce Nugent, and the activist Regina Andrews, among many others, he offered an intimate, firsthand account of the generation that transformed American art and literature at the beginning of the twentieth century. Unfinished at the time of Greaves death in 2014, David and Liani have since completed the film and recovered a vital chapter of American cultural history, which illuminates both the struggles and questions of the Harlem Renaissance and the way they continue to resonate today.
Eric Newman and Medaya Ocher are joined by Palestinian American poet, translator and physician Fady Joudah to discuss his latest book, Exhibit G. The collection, a nominee for the National Book Award in Poetry, brings together poetry, prose, and photographs on the ongoing genocide in Gaza. In this bold and illuminating work, Joudah wrestles with language, perspective, as well as the innate tensions within the writing itself: How to document a genocide in English, the language of the oppressor? How to resist what Joudah calls the "museumification" of the Palestinian people? And how can we challenge ourselves to confront immense suffering for what it is? Joudah discusses his work as a writer and a doctor, how he wants the book to be read, and the persistence of Palestinian poetry.
In this special chat episode, Medaya Ocher, Eric Newman, and Kate Wolf use Catherine Liu's new book Traumatized to dive into the political uses and pitfalls of trauma. Liu argues that the elite professional class has fully absorbed the trauma narrative; the story of an individual's suffering and recovery courses through the culture on social and mass media not as a tool for liberation, but as a means of keeping the status quo. In turning our gaze away from class struggle, the discourse of trauma on the mainstream left has largely remained deaf to questions of economic equality. Medaya, Eric, and Kate walk through Liu's argument, debating everything from the sins of Betty Frieidan and Oprah Winfrey to true crime and celebrity documentaries. Have we all become too traumatized to effectively resist in the present?
The writer and housing policy advocate Samuel Stein joins Kate Wolf to speak about his new book, A Right to Housing? It lays out how housing could indeed become a human right, accessible to all, through things like the decommodification of the real estate market, the construction of—and conversion to—more social housing, federal regulation, and continued tenant organizing. The second half of the book, meanwhile, contends with just how distant many of these steps seem in the present, and even throughout history. Stein talks about the oversimplification of YIMBY versus NIMBY, the fix against public housing from its inception, how cities are contending (or not) with climate change, and the small victories that keep activists going in the face of an uncertain future.