
Show Notes
On this special episode of The Letterboxd Show, Mitchell Beaupre speaks with filmmaker Ira Sachs about his latest feature Passages, in theaters worldwide now from MUBI. This delicious love triangle follows Tomas (Franz Rogowski), a narcissistic filmmaker whose marriage to Martin (Ben Whishaw) hits the rocks when Tomas starts up an affair with Agathe (Adèle Exarchopoulos). Mitchell and Ira give you a taste of what to expect in Passages, a self-described “very horny film,” while diving deep into some of Ira’s personal favorites, including Dodsworth, The Innocent, Taxi Zum Klo and Je, Tu, Il, Elle.
Note: this interview was conducted as the WGA and SAG-AFTRA unions are on strike for better working conditions and fairer compensation for their work. Passages was an entirely independent production, shot in Europe with European actors, and is being released by an independent distributor that is isn't in the AMPTP, and therefore is not a struck company. We will never ask anyone to cross a picket line.
Chapters:
LG sponsorship (00:00:00)
Opening credits (00:01:16)
Dodsworth (00:13:06)
The Innocent (00:27:50)
Je, Tu, Il, Elle (00:32:36)
Taxi Zum Klo (00:43:59)
Closing credits (00:58:30)
Credits: Recorded in Newark, DE and New York, NY. Edited by Slim. Theme music: “Vampiros Danceoteque” by Moniker. Editorial producer: Brian Formo. Production manager: Sophie Shin. Art by Samm. The Letterboxd Show is a TAPEDECK production.
Lists & Links:
List of movies mentioned
More from The Letterboxd Show
Filmmaker Michael Mann joins Letterboxd in conversation about his favorite films, on the occasion of the launch of the Michael Mann Archives — Directing Ferrari.
The podcast hosts of summer a back! This time around Slim, Mia, and Mitchell discuss the upcoming SUMMER slate of movies and why you might need to add them to your own watchlists including MaXXXine, Kinds of Kindness, Furiousa: A Mad Max Saga, and Longlegs just to name a few*.* They also look ahead outside the most popular movies and shuffle their watchlists just like old times.
For our grand finale, the Best in Show crew heads to the 96th Academy Awards! Brian, who had a golden ticket to the ceremony itself, recaps how it felt for his eyes to see Al Pacino announce, “My eyes see Oppenheimer!”, while Gemma and Mia recount their hectic day on the red carpet and evening in the press room—plus dancing with the Anatomy of a Fall lawyers at the afterparty. Finally, we invite our London correspondent/Best in Show newsletter extraordinaire George Fenwick to reflect on the awards season as a whole, and to submit his winning pick for the inaugural Bradley Moze (and Otis) Awards, named for our beloved cats who kept us grounded over the past few months. Chapters:
This week, Gemma chats with Academy President Janet Yang and CEO Bill Kramer about the importance of the Oscars to the global film community, plus its engaging impact on theater-going in a constantly changing industry. Also, Mia and Brian debrief about the Dune: Part Two hype (Space melodrama! More worms! All hail Denis Villeneuve!) and its entry into the Letterboxd Top 250 at a miraculous number six. For the grand finale, riot grrrl rockers Sleater-Kinney make a special appearance, with Carrie Brownstein recounting her brief appearance in Todd Haynes’ Carol. Chapters:
This week, the Best in Show crew is full of Indie Spirit as they mingle on the carpet and out the back of the Film Independent Spirit Awards, where Zoe Lister-Jones, Jordan Firstman and the teams from Kokomo City and The Zone of Interest all stop by for chats about Cassavetes versus Altman, the secrets to a great director-producer relationship and epic movie dog moments. Brian meets his sporting hero Marshawn Lynch, and Mia settles in for a conversation with International Feature Spirit winner Justine Triet about the multiple languages of Anatomy of a Fall. Finally, Neil Hamburger himself (On Cinema’s Gregg Turkington, cast member in the John Cassavetes Award-winning Fremont) tells Mia and Gemma about the first award he ever won (and seems to keep on winning).