Show Notes
On this episode, we dive into some of the biggest conversations in the culture right now. We talk Burna Boy’s recent situation with DJ Tunez, Omah Lay’s Clarity of Mind, and Blaqbonez’s creative rollout approach. We also get into Rema’s evolving sound, Ayra Starr’s direction, and why some artists might be losing audience attention. Along the way, we break down standout performances, recent collaborations, and broader conversations around where Afrobeats is heading today. TAP IN! Burna Boy allegedly attacked DJ Tunez, what really happened? Is Clarity of Mind already the best album in Omah Lay’s catalog? Zaylevelten might not even qualify for Rookie of the Year at the Headies Burna Boy already has two certified classic albums Blaqbonez turning diss vocals into a beat challenge is next level Rema’s new sound seems to be getting trippy, almost Juice WRLD-esque Ayra Starr’s “lamba” side might be better than her R&B bag Wande Coal’s Dearly is one of the best songs of 2026 so far Deto Black stood out on Spinall’s new track with Mavo Olamide sounded like 2015 Olamide on Adekunle Gold’s new track Ayra Starr’s new direction won’t stop her from dropping hits Qing Madi shows real versatility on her new track with Zinoleesky Boy Spyce still seems stuck between sounds and identity Fido’s new drop isn’t bad, people just don’t care anymore Elestee might have been dropped by Mavin, what happned there? Fally Ipupa and Wizkid should’ve dropped a collab years ago Taves, Azanti and Tay Iwar on one track would be a problem Elestee’s music still needs to level up Yemi Alade and Spyro’s collab felt corny and underwhelming The Machine Is Coming might actually be better than Industry Machine Women in Afrobeats still struggle with strong stage names You can still miss great songs in today’s oversaturated market
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