Show Notes
Today's Queer as Fiction episode discusses David Lowery's 2021 adaptation of Arthurian legend, The Green Knight. Join us for a romp through allegorical adventures of identity, whale-like giants and dissapointingly unsexy ents. If you'd like to read Jude Doyle's review (that we discuss fairly extensively towards the end of the episode), you can do so here: https://judedoyle.medium.com/the-green-knight-is-the-existential-queer-folk-horror-we-need-843be5fbd1d6 If you never got around to our episode on the original Arthurian legend that this movie is based on, you can check that out here: https://queerasfact.podbean.com/e/sir-gawain-and-the-green-knight/ Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Instagram, Tumblr and Bluesky. [Image: Sir Gawain raises an axe on a hilltop, in front of the film's title which sits on a plain red background.]
More from Queer as Fact
Welcome to the longest episode of Queer as Fact yet! In today’s podcast we’re talking about the author of Dracula, Bram Stoker. Join us to read Bram’s intense fanmail to Walt Whitman, discuss his complex relationship with masculinity, and meet a pet monkey. Also featuring a guest star appearance by Oscar Wilde! We’ll be following this episode up on the 1st of October with a companion episode on Dracula. Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Instagram, Tumblr and Bluesky. [Image: Black-and-white photo of Bram Stoker, a bearded man wearing a suit and tie. Source.]
Today’s episode is on gendered pronouns in Mandarin! Join us for a journey through thousands of years of Chinese language, featuring paleo-pronouns, neo-pronouns, and the complexities of expressing gender when your phone has a limited character set.
Today's episode is on queer representation in museums - what it looks like, what queer people want it to look like, and how we can get there. This episode was originally released on our Patreon in 2024. It is based off Alice’s Masters research, which you can read here. Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Instagram, Tumblr and Bluesky. [Image: The original rainbow flag on display in the GLBT Historical Society Museum and Archive in San Francisco, USA. Source.]
Today's episode is on the Iraqi singer, Masoud El Amaratly. Join us as we visit the unique marshlands of southern Iraq, hear what may be the oldest known recording of a trans person, and learn about mustarjil, the traditional transmasculine identity in Masoud's Ahwari culture. Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Instagram, Tumblr and Bluesky. [Image: Pencil sketch of Masoud, an Arab man wearing a yashmagh (headscarf) with agal (cord). Source]
This Queer as Fiction episode is on Kenyan director Wanuri Kahiu’s 2018 lesbian romance film, Rafiki. Join us for a rich exploration of Kenyan culture through the lens of the director’s self-titled “Afrobubblegum” genre, the real-world ramifications of releasing a lesbian film with a happy ending in a country where homosexuality is criminalised, and a DJ named after an Australian cartoon character. Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Facebook, Instagram, Tumblr and Bluesky. [Image: A poster for the film Rafiki, featuring the two leads, Samantha Mugatsia and Shiela Munyiva. It specifies that the film was an Official Selection “un certain regard” at Cannes Film Festival.]