Show Notes
Generative AI models trained on vast swaths of popular music can create songs almost indistinguishable from human-made work. For some, they represent the future of pop music. For others, they threaten to flood the world with ‘AI slop’, drowning out the work of human artists, stealing musicians' jobs, and ending the process of music-making as we know it. Is this just a case of technophobia? Or could AI music generators replace human musicians altogether?
In the first in a two-part series, the FT’s pop critic Ludovic Hunter-Tilney speaks to musicians and artists about the inventive power of generative AI in music, as well as the potential threat it might pose to musicians’ livelihoods and the music industry as a whole.
This series of Tech Tonic is presented by Ludovic Hunter-Tilney. The producers are Lulu Smyth and Josh Gabert-Doyon. Edwin Lane is the senior producer, Flo Phillips is the executive producer. Sound design by Breen Turner and Samantha Giovinco. Original Music by Metaphor Music. Manuela Saragosa is the FT’s acting co-head of audio.
Music used in this episode:
‘Chasing Horizons’ - generated by Udio ‘Own the Night” - generated by Udio ‘From Ashes to Madness’ - generated by Udio ‘Workplace Vibes’ - generated by Udio ‘Canaan (Live Training)’ - Holly Herndon. Copyright Herndon Dryhurst Studio ‘Evening Shades (Live Training)’ - Holly Herndon. Copyright Herndon Dryhurst Studio ‘Godmother’ - Holly Herndon. Copyright Herndon Dryhurst Studio Music from Holly Herndon & Matt Dryhurst: The Call - Copyright Herndon Dryhurst Studio ‘Heart on My Sleeve’ - Ghostwriter977 ‘Verknallt in einen Talahon’ - Butterbro / generated by Udio ‘Let it Burn’ - The Velvet Sundown ‘Sexual Healing’ - Written by Marvin Gaye, Odell Brown, and David Ritz. Copyright EMI Blackwood Music Inc. and EMI April Music Inc. ‘I Wanna Dance with Somebody’ - Written by George Merrill and Shannon Rubicam, Copyright Sony Music Entertainment
Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.
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