Show Notes
Every Thursday, an artifact serves as a conduit for a grief story. Kylie Burton and Elliott Kuss host Artifacts of Grief, an intentional space of grief sharing that welcomes the messy, complex, ongoing process of grief. In sharing stories of the griefs we all live with, Artifacts of Grief challenges the individualization of grief; instead, the show seeks to understand grief as an experience that reveals the beauty and necessity of our connections to people, places, and identities. Artifacts of Grief is made by humans for humans, without the use of AI. Photography, artwork, editing, and original music by Elliott Kuss Writing by Kylie Burton Bio provided by guest
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More from Artifacts of Grief
Nadine shares the story of grieving her changing relationship with her son. Nadine became a mom at a young age and this shifted her identity and priorities. For much of her life, it was her and her son against the world. Now, as an adult with his own independent identity and life, Nadine reflects on the sadness she feels at what has changed, even as she loves who he is and what they have together now. Nadine offers space to consider what it means to sit in the sticky discomfort of grief over shifting relationships and identities, as well as how to get curious about our own feelings and ways of processing grief.
Haley shares the story of their camera: a Nikon D810 with a 35mm lens. The camera represents so many forms of grief, both specific to Haley and representative to the way photography calls grief forward. Haley speaks to the beautiful invitation that a photograph offers: to reflect on what has changed, what has been lost.
William shares the story of the loss of his Aunty Jo and the ways in which experiencing three concurrent losses shifted his understanding of himself and his emotions. He speaks of the grief of absence, both before and after death, and what it means to stop building dams and start building rafts.
Hannah shares the story of her grief process, following the unexpected death of her three closest friends at age nineteen. She speaks to the ways in which grief does not wait for us to be ready and how finding the tools to actively work through grief can be a decades long process.
Heather shares the story of deciding to end her business: the Edmonton video rental store The Videodrome. Heather speaks to the difficulty of processing the loss of that which she hoped would be forever and the beauty that exists in ephemerality.