Private Life: A New York Review Podcast

Darryl Pinckney on Memoir, Friendship, and Elizabeth Hardwick

Private Life: A New York Review Podcast

Show Notes

In the first episode of our podcast Private Life, Darryl Pinckney talks with host Jarrett Earnest about his close friend and former teacher Elizabeth Hardwick. Pinckney discusses her inimitable voice on the page, her love of literature’s most “terrific losers,” and the people in her inner circle, including the Review’s editor Barbara Epstein, Mary McCarthy, and Susan Sontag, who came to shape Hardwick’s life and art. Pinckney reflects on the painful process of writing memoirs and his education in early 1970s New York City. Darryl Pinckney is the author of two novels as well as the memoir Come Back in September: A Literary Education on West Sixty-Seventh Street, Manhattan (2022). He met Hardwick while a student in her creative writing seminar at Columbia University, then worked as an assistant at The New York Review of Books before contributing his first article, in 1977, “The Black Upper Class,” a review of Stephen Birmingham’s Certain People: America’s Black Elite. For the Review, as well as Harper’s, Granta, and The New Yorker, he has written extensively about American literature, black American culture, YouTube, James Baldwin, Obama’s presidency, and Elizabeth Hardwick. His essays about Hardwick include “Master Class,” about his experience as her student, and “On Elizabeth Hardwick,” an expansive consideration of her style. Darryl Pinckney selected the work included in The New York Stories of Elizabeth Hardwick (2010) and The Collected Essays of Elizabeth Hardwick (2017), for which he wrote the introduction. Elizabeth Hardwick (1916–2007) was a writer and Review contributor who wrote some of the most influential criticism of the twentieth century. In 1963 she cofounded The New York Review of Books alongside the editors Robert Silvers and Barbara Epstein, as well as Hardwick’s then husband, the poet Robert Lowell. Essays by Hardwick discussed in this episode include “On Sylvia Plath”(published in the August 12, 1971, issue), and “Working Girls: The Brontës” (May 4, 1972). Her collected criticism, published in, among many other magazines, The New York Review, The New Yorker, and Harper’s, has been collected by the NYRB Classics in several volumes, and she also wrote three novels, including Sleepless Nights(1979), a genre-defying book that blends fiction and memoir (reissued by NYRB in 2001), as well as a clutch of short stories, collected in The New York Stories of Elizabeth Hardwick (2010). Read the essays discussed in this episode and many others with a subscription to The New York Review of Books, which—in addition to twenty issues a year—provides access to our full archive since 1963, searchable on our website.

On Sylvia Plath by Elizabeth Hardwick Melville In Love by Elizabeth Hardwick Working Girls: The Brontës by Elizabeth Hardwick Bloomsbury and Virginia Woolf by Elizabeth Hardwick Bartleby and Manhattan by Elizabeth Hardwick

More from Private Life: A New York Review Podcast

Oct 21, 2026

In this episode of Private Life, Elaine Blair joins Jarrett Earnest to talk about feminism, sexuality, and television. They discuss her essay “The Loves of Lena Dunham” (published in the June 7, 2012, issue of the Review) in light of Dunham’s memoir, Famesick (2026), as well as the reputation of her HBO show, Girls. Earnest and Blair also talk about her essay “Fighting for Her Life” (from the June 27, 2019 issue), about Andrea Dworkin; how feminist thinking has shifted in the last few decades; and how cultural criticism reflects changing attitudes. Elaine Blair is a writer and contributor to The New York Review of Books. She has written for Harper’s, The New York Times, and The Paris Review. Next week’s episode will be a recording of “The Loves of Lena Dunham” read by the actress Ruby McCollister. You can read the essays discussed in this episode with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.

Oct 14, 2026

In this episode of Private Life, Rachel Kushner reads an excerpt from Leslie A. Fiedler’s Love and Death in the American Novel (1960), which was reissued by New York Review Books in April. In Kushner’s selection, Fiedler writes about Mark Twain and the themes and characters of his books The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1884). Kushner is best known for her novels Telex from Cuba (2008), The Flamethrowers (2013), and The Mars Room (2018). Her most recent novel is Creation Lake (2024). Leslie A. Fiedler (1917–2003) was a literary critic and novelist. His books include The Stranger in Shakespeare (1972), Freaks: Myths and Images of the Secret Self (1978), and Fiedler on the Roof: Essays on Literature and Jewish Identity (1991). Last week’s episode featured Edwin Frank in a conversation about Fiedler’s literary criticism and Love and Death in the American Novel. You can find Love and Death in the American Novel at nyrb.com or at your favorite bookseller.

Oct 7, 2026

In this episode of Private Life, Edwin Frank joins Jarrett Earnest to discuss Leslie A. Fiedler's Love and Death in the American Novel (1960), which was reissued by NYRB Classics in April. They discuss the preoccupations of Fiedler’s literary criticism, the process of putting together a collection of criticism, and Frank’s book Stranger than Fiction: Lives of the Twentieth Century Novel (2024). Edwin Frank is the editor of New York Review Books as well as the founder and editorial director of the NYRB Classics series. In addition to Stranger than Fiction, he has also released a collection of poems, Snake Train (2015). Leslie A. Fiedler (1917–2003) was a literary critic and novelist. He published two novels and three short story collections, as well as dozens of volumes of criticism, including The Stranger in Shakespeare (1972), Freaks: Myths and Images of the Secret Self (1978), and Fiedler on the Roof: Essays on Literature and Jewish Identity (1991). Next week’s episode will be a selection from Love and Death in the American Novel, read by the writer Rachel Kushner. You can find Love and Death in the American Novel at nyrb.com or at your favorite bookseller.

Sep 30, 2026

In this episode of Private Life, the actress Holland Taylor reads Renata Adler’s essay “The Perils of Pauline,” an expansive assessment of Pauline Kael’s film criticism from the Review’s August 14, 1980, issue. Taylor has been working on films, television, and Broadway since the 1960s. She is a nine-time Emmy nominee, winning once, in 1999, for her role as a judge on The Practice. She was nominated for a Tony Award in 2013 for playing Texas governor Ann Richards in Ann. Renata Adler is a journalist and film critic who was a staff writer at The New Yorker for four decades. Her books include A Year in the Dark (1969); Toward a Radical Middle (1970); Gone: The Last Days of The New Yorker (1999); and the novels Speedboat (1976) and Pitch Dark (1983), which were both reissued by NYRB Classics. Last week’s episode was an interview with Lucy Sante that discussed Adler’s essay and film criticism. You can read “The Perils of Pauline” and other essays with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.

Sep 23, 2026

In the second season premiere of Private Life, host Jarrett Earnest is joined by the writer and critic Lucy Sante to discuss Pauline Kael’s career, pop culture writing, and Sante’s writing for the Review, where she has been a frequent contributor since the 1980s. The conversation focuses on “The Perils of Pauline” (published in the magazine’s August 14, 1980, issue), Renata Adler’s blistering assessment of Kael’s film criticism; the legacy of staff film critics; and Sante’s relationship with popular music from Elvis to The Velvet Underground. Lucy Sante is the author of Low Life: Lures and Snares of Old New York (1991), Six Sermons for Bob Dylan (2024), and the memoir I Heard Her Call My Name (2024). Her first essay for the Review, “Relic” (published in the December 17, 1981, issue), reviewed Albert Goldman’s controversial 1981 biography, Elvis. Sante taught writing and the history of photography at Bard College for twenty-four years. Next week’s episode will be a recording of Adler’s “The Perils of Pauline” read by the actress Holland Taylor. You can read the essays discussed in this episode with a subscription to The New York Review of Books, which, in addition to twenty print issues a year, gives you access to our full archive since 1963.

See all episodes →