
Show Notes
When Brian Eno first heard 'I Feel Love' by Donna Summer, produced by Giorgio Moroder in 1977, he declared that he had 'heard the sound of the future'. It was the first pop song to be entirely produced on a synthesiser and quickly came to be seen as an important milestone in the history of record production, pointing the way forward to the dominance of electronic technology in the decades following its release. Equally, it's a song which was immediately embraced by gay clubbing communities; w...
More from The Secret Life of Songs
Writing candidly about intimate, private moments and feelings is today such an accepted practice in pop songwriting that it can be startling to go back to 1971 and find Joni Mitchell reflecting that, at that point, 'the only thing that I could see to do fresh, that hadn't really been explored poetically, was the internal landscape. … [to] write from my own experience … was one of the few territories left for a poet to be a contributor of any kind'. The album she's talking about is Blue, and i...
When Bruce Springsteen was asked why he was invited to write the theme song for 'Philadelphia', the first mainstream motion picture about the AIDS crisis, and one of the first films made in Hollywood featuring a gay protagonist, he responded that the film's director, Jonathan Demme, had 'wanted to take a subject that people didn’t feel safe with and were frightened by and put it together with people that they did feel safe with'. The song that Springsteen would create in response to this brie...
'I Wanna Dance with Somebody' is now safely embedded in the pantheon of great songs: a 2023 Billboard poll named it the greatest pop song of all time, and it continues to be an ever-present on pop radio and wedding playlists. When it was first released, however, as the lead single from Whitney Houston's second album, it prompted a widespread critical backlash. Rolling Stone found it 'ridiculously safe' and the novelist Trey Ellis called it 'lifeless'. This would culminate in the notorious mom...
Of all the pop songs released in the era this series has been looking at, there are few which command the depth of love and affection as Cyndi Lauper's 'Time After Time'. It brings with it, for many listeners, a powerful weight of nostalgic associations and memories, which is one reason it’s the perfect choice for accompanying the mesmerising dance sequence at the end of the 1997 film, Romy and Michele’s High School Reunion, but is there something about the song itself - something which goes ...
Why do we work? The answer might seem obvious; as teenagers the world over have long been told, the world does not owe you a living, but predictions by economists that technological advances would inevitably lead to shorter working hours have not been borne out. We work more than ever, and experience more stress and dissatisfaction with our lives as a result. As Dolly Parton's famous song about the working life, '9 to 5', puts it: 'it's enough to drive you crazy, if you let it'. It was releas...