
Show Notes
This week, Eric Deggans talks to Courtney Kemp, co-creator of the Netflix crime drama Nemesis, about the changing TV landscape, and whether she sees Hollywood standing by diversity initiatives despite the pushback from the Trump administration. She also explains how some executives who give her notes don’t necessarily grasp what matters to her audience. After signing an overall deal with Netflix in 2021, Kemp developed Nemesis, a Los Angeles-set crime story built around ambition, class, and power.
[Editor’s note: this segment was taped before it was announced that Kemp had signed an overall deal with Apple TV, and did not renew her deal with Netflix.]
Plus, host Kim Masters and Matt Belloni discuss the end of The Late Show with Stephen Colbert, the penultimate episode of which included a jab by Bruce Springsteen directed at Larry and David Ellison. The duo also assess the latest Star Wars release - The Mandalorian and Grogu. Disney has a lot riding on whether the franchise can successfuly turn a popular TV series into a box office hit.
[Editor’s note: this segment was taped before the final episode of The Late Show with Stephen Colbert aired.]
More from The Business
It’s official: Bela Bajaria and Dan Lin are out at Netflix, and Peter Rice is in as the streamer’s new chief content officer. Kim Masters and Matt Belloni break down the shakeup, how Rice landed the top job, and who he might recruit to oversee Netflix’s future projects.
This week, Kim Masters sits down with veteran Hollywood marketing executive Gerry Rich to talk about his memoir, Chasing Hollywood. Rich recalls the nightmare of working for Harvey Weinstein at Miramax, helping launch Iron Man before Marvel became part of the Disney empire, and getting a crash course in Amazon’s bizarre corporate culture after it acquired MGM. He also revisits a bitter Paramount power struggle involving Josh Greenstein, who now co-chairs Skydance’s film group overseeing Paramount and Warner Bros.
This week, Van Dyke Parks sits down with The Business showrunner Joshua Farnham to look back at a career that stretches from childhood acting to collaborating with Brian Wilson, and scoring films for Jack Nicholson. He also recalls his first arranging job, The Bare Necessities for Disney’s The Jungle Book, and how Harry Nilsson talked him into spending five months in Malta for Robert Altman’s Popeye.
This week, Kim Masters speaks with actor Malcolm McDowell about his six-decade career and the long journey to finally making his latest film, the western Last Train to Fortune. McDowell reflects on his friendship with mentor and director Lindsay Anderson, shares stories from the set of Stanley Kubrick’s A Clockwork Orange, and looks back at the chaotic production of Caligula, including how Penthouse founder Bob Guccione took control of the film and added unsimulated material in post production.
This week, Kim Masters speaks with Sharon Horgan about her HBO series Youth. The writer, actor and producer reflects on taking control of her career by creating her own material, building the production company Merman, and working across broadcast networks and streaming platforms. Horgan also explains why she returned to the idea for Youth after years spent making Bad Sisters, and how a brief pitch to HBO quickly turned into a green light.