Show Notes
In this episode, I speak with Andy McCluskey, lead vocalist of Orchestral Manoeuvres in the Dark, or OMD, as they are more commonly known. Andy formed OMD with co-writer and occasional co-vocalist, Paul Humphreys, at the tail-end of the 1970s. Their self-titled debut album (and its follow-up) was released in 1980 at the dawn of electronic pop, just as synthesised sounds were easing their way into the mainstream - and this is where our story begins.
We begin by looking back at Andy's interests in art and design that saw him creating the first posters for OMD (see below), his ongoing creative relationship with legendary sleeve designer, Peter Saville, and follow the story right up to today with the brand new album, Bauhaus Staircase, released the same day as this podcast - Friday 27 October 2023.
The new album references the Bauhaus art movement in its title, and its sleeve design is naturally complementary, but it is not the first OMD album with connections to art and design. So, join Andy and myself as we connect the dots, and along the way reveal that during this journey of more than four decades, OMD may actually have sailed those seven seas and finally come full circle...
If you liked this episode, you may also enjoy the conversation I had with John Petch about his design work for OMD's 13th album 'The Punishment of Luxury'. Check out episode 6 of Art on your sleeve.
Stay up to date with all things OMD online: Website: omd.uk.com Instagram: @omdhq Facebook: omdofficial X/Twitter: @OfficialOMD YouTube: @OMDOfficial
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More from Art on your sleeve
On 19 March 1990, Depeche Mode released what is still considered their finest album - 'Violator'. Anton Corbijn created its sleeve with assistance from graphic designer Richard Smith of Area. The two would go on to collaborate on dozens of sleeves for a wide range of artists, but to celebrate this seminal album's 35th birthday, I spoke to Richard about his creative involvement.
Graphic designer, painter and sleeve artist, Andie Airfix was born in Scotland but grew up in Warrington in the north west of England. After studying art and English literature at Chester teacher training college, he spent almost a year teaching art and English in Southampton. In 1970 he started travelling around the USA, Canada and Mexico, a trip funded by selling psychedelic paintings to poster companies in New York and San Francisco. On his return to the UK, he spent some time in Devon where he concentrated on painting and writing before heading off again to India for a few years.
This episode of the podcast is a bit different... Instead of our usual, reverent look back at examples of the best in record sleeve creativity, we dig into its darkest and often unexplored corners of obscurity to expose some of the worst, or at best, most bizarre record sleeves ever created.
Hello and best wishes for the festive season. My gift to you is a brand new episode of the ‘Art on your sleeve’ podcast. In this episode I speak with Paula Benson and Paul West from Form. There’s a lot that I could say about this dynamic duo and their extraordinarily diverse pop portfolio, but it’s probably easier to let them speak for themselves. So, here’s a bit of an introduction lifted directly from their website.
In this episode of Art on your sleeve, I speak with painter and former graphic designer, David Storey. David's career designing record sleeves began in the 1970s when he landed a job straight out of design school working for Elton John's Rocket Records. This position provided a crucial platform for him to build a career in the industry leading to his renowned work for the 2 Tone record label. 2 Tone spawned a raft of charting artists including Madness, The Specials, Bad Manners, The Selecter, The beat, The Bodysnatchers and so many more, all of whom received the design treatment of David, often under the creative direction of label boss (and member of The Specials), Jerry Dammers.