
Show Notes
Kia ora, welcome to episode 35 of The Good Oil, conversations with Aotearoa painters.
In this episode, I speak with Nigel Brown at Artis Gallery in Tāmaki Makaurau.
Nigel has work held in numerous public and private collections, including the Christchurch Art Gallery Te Puna O Waiwhetū, The University of Auckland Art Collection, The Fletcher Collection, The Auckland Art Gallery Toi o Tāmaki and The Museum of New Zealand Te Papa Tongarewa.
He is represented by Artis Gallery in Tāmaki Makaurau, The Division Gallery in Picton and Milford Galleries in Dunedin and Tāhuna.
There are images of the paintings that we talk about on The Good Oil Nigel Brown Instagram Post for your reference.
A quick note of thanks to Lydia Baxendell for her excellent thesis, ‘Nigel Brown and NZ National Identity’ which proved especially useful research material. Thanks Lydia.
In the episode you’ll hear Nigel speak about being witness to a tension between Colin McCahon and James K Baxter about the value of art school, what painting techniques he learned from McCahon and others to apply to his own practice, the reasons he includes text borders in works and the power of words, how he believes each painting can humanise space, and that he considers his practice a kind of research offering, as an alternative to accepted, formal research of academia.
More from The Good Oil
In this episode, I sit down with Lisa Reihana at her studio in Tāmaki Makaurau.
In this episode, I visit Shane Cotton in his studio in Te Tai Tokerau.
In this episode, I sit down with Cora-Allan Twiss at her studio in Tāmaki Makaurau.
In this episode, I sit down with Emma Fitts at Melanie Roger Gallery in Tāmaki Makaurau.