Charlie Chaplin, Part 1: The Making of the World's Greatest Comedian — Victorian Poverty, Silent Superstardom, and a Troubling Private Life
When They Were Making ItShow Notes
This is Part 1 of our two-part series on Charlie Chaplin. Charlie Chaplin, one of the greatest icons of silent cinema and film comedy, built his legend on making the world laugh. But behind his beloved image was a private life that was increasingly troubling — and, throughout his life, increasingly difficult to contain. Part 1 of our two-part series follows Chaplin from a childhood in poverty and the workhouse, through the London music halls and Fred Karno's comedy company — where he learned the precision and physical storytelling that would transform silent film — to Hollywood, where he arrived at twenty-four as an unknown English comic and, within little more than a decade, would become the king of silent comedy. It traces his extraordinary rise in Hollywood: Keystone and the birth of the Tramp; Mabel Normand, Edna Purviance and The Tramp; the phenomenon of 'Chaplinitis'; and the creative freedom that came with unprecedented contracts at Mutual and First National. Along the way came Easy Street, The Immigrant, Shoulder Arms and The Kid — films that made screen comedy more humane, ambitious and emotionally expansive than it had ever been before. The episode also follows the relationships and losses beginning to complicate that success: his marriage to sixteen-year-old Mildred Harris, the death of their infant son, and his relationship with Lita Grey as he made his largest and most ambitious film yet, The Gold Rush. This is the story of how a boy from the slums of Victorian London became the most famous comedian in the world — and how, at the very height of his early power, his private life threatened to overwhelm everything he had built. Part 2 of our Charlie Chaplin series — covering the scandal surrounding his marriage to Lita Grey, City Lights, Modern Times, The Great Dictator, political controversy, exile from America and his final years — releases next Tuesday, September 8.
—
When They Were Making It is written, produced, and hosted by Patrick Rankin. Original artwork by Simone Beech and original music by Lionel Ziblat. Join WTWMI: The Backlot — our Patreon — for exclusive extras including mini and full-length bonus episodes, episode companion pieces, and behind-the-scenes materials at https://www.patreon.com/WhenTheyWereMakingIt.
For episode information, show notes, upcoming episodes, and more, visit whentheyweremakingit.com. Follow WTWMI on Instagram and TikTok: @whentheyweremakingit. On Instagram, we share visual companion pieces for every episode, bringing the images, people, places, and atmosphere behind the story to life. New episodes of When They Were Making It drop every Tuesday. Follow now wherever you get your podcasts.
★ Support this podcast on Patreon ★
More from When They Were Making It
When Alfred Hitchcock's first bid for independence failed, he pivoted — and began a career-defining decade that would bring some of his most celebrated films, transform him into a household name, and lead him toward a gamble that would change Hollywood forever.
Before he became the Master of Suspense, Alfred Hitchcock had to start somewhere. He started in a British film industry struggling to survive — and in a fight for control that would carry him all the way to Hollywood.
The first in our October Halloween series: four weeks of classic Hollywood's darker, stranger, and more monstrous stories.
Edward G. Robinson helped invent the modern movie gangster. As Rico Bandello in Little Caesar, he made the short, sharp-eyed criminal not only the centre of a Hollywood picture, but a defining figure in American pop culture. And in doing so, he became a star almost overnight. This episode follows Robinson from his early years as Emanuel Goldenberg, a Romanian Jewish immigrant and serious Broadway actor, through Little Caesar, the Warner Bros. gangster cycle, and his long fight to prove he could be more than Rico. Along the way came The Whole Town's Talking, Confessions of a Nazi Spy, Double Indemnity, The Woman in the Window, Scarlet Street, and Key Largo. Also along the way came the House Un-American Activities Committee — HUAC — and the threat of the Hollywood blacklist. Robinson was never a Communist, but his public support for liberal and anti-fascist causes made him a target. He was not formally blacklisted, but "graylisted" — pushed from major pictures into smaller films and television. What began as a fight to be seen as more than the gangster became a fight to remain in Hollywood at all. This is the story of Edward G. Robinson — one of Hollywood's greatest screen actors, far more than the role that made him famous — and of his fight not only to build a career beyond the gangster, but eventually to save it when Hollywood decided he was through. —
By 1950, MGM was done with Judy Garland — and so, it seemed, was Hollywood. A Star Is Born was the film that was supposed to change all of that.