Show Notes
Something is funny, and only two people know why. Shared laughter in Te Irirangi is precious and precarious. The joke, if you knew it, would explain more than anyone is comfortable admitting. Hosted on Acast. See acast.com/privacy for more information.
More from Claybourne
Blood that doesn't move. Blood that doesn't dry. The forensics of Claybourne's violence are wrong in ways that suggest intervention, and not the human kind. Mata reads the signs with growing urgency. Hosted on Acast. See acast.com/privacy for more information.
A man who arrived in Claybourne believing himself untouchable discovers the limits of military training, corporate backing, and brute force. Te Irirangi has older ways of dealing with invaders. Hosted on Acast. See acast.com/privacy for more information.
Bigby assembles what he knows, and the picture doesn't hold together. Too many suspects, too many motives, and at least one explanation that his training at police college did not cover. He makes a call to Kawakawa. Hosted on Acast. See acast.com/privacy for more information.
Claybourne picks up the pieces. The hotel needs cleaning, relationships need mending, and the dead need accounting for. The DJ's morning monologue is quieter than usual. The town is changed. Hosted on Acast. See acast.com/privacy for more information.
In the aftermath, someone walks free who perhaps shouldn't, and someone who should be free remains trapped. Release is relative in a town where the walls are made of secrets, obligations, and ancient bindings. Hosted on Acast. See acast.com/privacy for more information.