
Show Notes
Cinephiles are revisiting Whit Stillman's 90's movies. Tanjil Rashid meets Stillman to find out why.
--
Whit Stillman is something of a cult film director. He rose to prominence in 1990 with his debut film Metropolitan, which became the first in the so-called “Doomed. Bourgeois. In love” trilogy: Barcelona came out in 1994 and The Last Days of Disco in 1998. Set among America’s so-called “Preppy” class, the films are comedies of manners in the tradition of Jane Austen, exploring the transitional phase of youth and a certain American identity.
The films are now having something of a revival. Stillman joins the New Statesman's culture editor Tanjil Rashid.
Hosted on Acast. See acast.com/privacy for more information.
More from The New Society | culture from the New Statesman
Carlo Rovelli is a physicist. But he’s also so much more than that. Perennially on lists of the world’s top thinkers, Rovelli likes to think and think hard, about the big questions, where physics meets philosophy and art and literature.
You know what you know, and I know what I know, but only when we know what the other knows do we have common knowledge.
Every story, they say, needs a beginning, a middle and an end; every story needs a setting.
"We live in a world that deserves unicorns," says Katherine Rundell.
A third of British adults who used to read for pleasure don't anymore.