Show Notes
Shostakovich had never had it worse: his latest opera, Lady Macbeth, had been panned. And not just by an ordinary critic: Joseph Stalin himself had paid a visit to the opera house. The official Soviet opinion of the work? “Muddle instead of music.”
Shostakovich therefore pulled his Symphony No. 4 out of rehearsals and regrouped. He determined to write “a Soviet artist’s response to justified criticism,” a work that would become his Symphony No. 5.
Join me and Akiko as we talk Shostakovich, Saint-Saens, and Francisco Coll, along with guest artists Gustavo Gimeno, conductor, and Javier Perianes, piano!
More from Stand Partners for Life
Have you ever “discovered” a major piece, live, in the concert hall? Nathan remembers sitting right next to a big star performing Prokofiev’s second Piano Concerto, with its massive and breathtaking first-movement cadenza. Then he and Akiko talk about sitting right next to another big star this week for the same piece.
This week’s landmark episode marks the return of Akiko, plus a pair of fellow stand partners for life: violists Kate Reddish and Eric Lea! We discuss the slings and arrows of a career in music, what you can and can’t get from music school, what it’s like to be part of a string-playing pair, and much more.
I’m joined in the backyard this week by Violympian and VMC participant Travis Maril, as well as his fellow USC alum and my Director of Operations, Kate Reddish. Our wide-ranging conversation includes no small measure of pedagogical geekery, as well as such diverse topics as Tae Kwon Do bribery and Michael Jordan’s private Space Jam gym.
Nathan, Kerstin and Kate (and Kate’s SPFL Eric) in Pasadena
It’s tour time! While you’re listening, we’ll be flying, driving, and playing our way through Boston, New York, Mexico City, and Guanajuato. So to kick off the trip, let’s talk tour repertoire and hand out some awards.