Show Notes
Strap in for Jim Hosking's deliberately provocative and frustrating take on the "genesis of a song" story. In fictionalising a meeting between Paul McCartney (Sky Elobar) and Stevie Wonder (Gil Gex) at Paul's Scottish cottage, and throwing narrative structure and logic out the window, is he poking fun at how seriously classic rock fans take these stories? We discuss the comedy of repetition, how it can force you to reinterpret simple statements by overexposure to them, and, briefly because it can't be avoided, prosthetic penises.
In the UK you can watch the film on Kanopy, a free streaming service available if you have a library card. But note the films available to you depend on which library you're registered with, so it might not be included: https://www.kanopy.com/en/product/15627467 Watch the trailer: https://youtu.be/Y2ebFMjJujw The video for Paul's solo version: https://youtu.be/JNsh6uMFNTc Clarification: when we say it was the second most successful single of Paul's career including Hey Jude, we should say it was the one that ran for second-longest at number one in the US charts. He of course had bigger sellers, like Mull of Kintyre. The full clip of Andy Kaufman's I Trusted You: https://youtu.be/TSYV-nEE300 The "We Are The World" documentary The Greatest Night in Pop on Netflix: https://www.netflix.com/title/81720500 The full SNL sketch, with Eddie Murphy as Stevie Wonder and Joe Piscopo as Frank Sinatra: https://youtu.be/0h2jZtuRuic Paul's quote about working with Stevie is from his book The Lyrics.
Meet the Beatles Films Podcast
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on: Instagram https://instagram.com/beatlesfilmspod Bluesky https://bsky.app/profile/beatlesfilmspod.bsky.social YouTube https://www.youtube.com/@BeatlesFilmsPodcast Threads https://www.threads.net/@beatlesfilmspod Facebook https://www.facebook.com/groups/304654901827622 Go to https://www.beatlesfilmspod.com/podcast-episodes for full notes on each episode, with links to watch the films where available. Hosted on Acast. See acast.com/privacy for more information.
More from The Beatles Films Podcast
More chasing and more studied pointlessness as we head into the film's final scenes. We look at the Buster Keaton influence on the escalating police chase scenes, and ask whether Ringo is actually back where he belongs when he rejoins the group, given that there's been no narrative resolution of his earlier discontent. We look at the filming and editing techniques of the concert scene, and have a look at John's final words for Grandfather.
(Ringo's Theme.) We get on to Ringo Starr's real introduction to the world as an actor, when everyone thought "Hey, he's not bad at this, is he?" In particular he does a great job with Wilfred Brambell in the canteen, convincing us he's slowly becoming persuaded to leave the group. We spend some time parading with Ringo, looking at his interactions with the boy and in the pub.
Part 4 takes in three of the film's key solo spots: John Lennon's scene with Anna Quayle, George Harrison in the teen TV show office, and Paul McCartney fronting the Beatles' performance of And I Love Her.
From the hotel to the TV studio. We see the Beatles at a press event, which revisits one of the film's themes: that Beatlemania persists with or without the Beatles themselves. We get into more class dynamics between Ringo Starr and the sound engineer ("Aren't you being rather arbitrary?") and John Lennon's delivery of If I Fell gets us into discussing whether he could sing love songs straightforwardly without undercutting them with a joke, something which Paul McCartney didn't struggle with.
Part 2 covers roughly the next 12 minutes of Richard Lester's film. We look at the absurdist downplayed reaction to finding an intruder in your hotel room cupboard, and the generational disconnect in how comfortable the Beatles seem in the nightclub, vs how grandfather can only fit in at the casino by pretending to be someone else. Plus! The class dynamics in Ringo Starr's jump-dancing with a posh fellow clubgoer, and some more magic realism in John Lennon's bathtub scene.